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charliedont
avclub-97bede20cc14db118af8abfbb687e895--disqus

In the same breath, I think it's worth noting that the intent that Hawley was going for in the troubled script is fascinating. He's essentially retelling There Will Be Blood in a different decade, with layers upon layers of puzzle-box moments that when unpacked are revelatory. At a certain point in this season, I

The season had hand dryers that only worked sometimes. All season there were little nods to the 'true story' theme. Thematically, the car fit, as another nod to this device - whether you liked it or not is a different story.

Episodes 7 - 10 were some of the best TV this year, and made the slow first 6 episodes completely worth it.

I have to laugh that you're still stuck on the REC thing. It also has literally zero to do with the producers of this show. Art direction, set design, director, assistant director - call them if you want, but a producer in film generally is just a suit who throws money at a project.

There's a lot of viewers here who seem to have completely missed the point of the season as well.

I'll take a single shot of Carrie Coon sitting on the side of road, with gorgeously shot prairie skies over pretty much anything else on television.

Sometimes hand dryers work and sometimes they don't. I believe it was intentional, and played in perfectly with the themes of the season.

I completely agree. There's a lot of depth in the storytelling devices and cinematography here. Personally, I feel like you don't necessarily have to like it, but you should at least have to appreciate it.

This is my favourite season, with a thrilling finale. I was disappointed in some of the characters outcomes, but that holds true to the very notion of both Fargo and the Coen Brothers universe. Of course I wanted Nikki to run around in her Jimmy Choos and shoot up all the baddies before running into the sunset,

Math update: 1 pound of iron weighs 1 pound, which by definition weighs LESS than 5 pounds of steel.

He did give us a reprieve last week and the comment section felt so much more constructive. But remember, he's the type of guy who posts 'IMO'. There's a special place for these people. One of my favourite moments was near the end of Loveline when Dr. Drew and Mike Catherwood would buzz callers who started sentences

That was such a fantastic small touch.

I think they purposefully stayed away from big nods to The Big Lebowski because of this. I guess after three seasons, they felt they earned the chance to put it out there. I really, really loved that scene.

This is a great comment. Varga is supposed to wear on you, just like he wears on Emmit, ultimately tuning him out altogether making his own decisions for once. Everything Hawley is does is for a reason. Understanding that is the first hurdle, accepting it is another hurdle altogether.

I've really enjoyed the themes and meditation on 'story' - whether it's Peter and the Wolf or nods to The Little Red Riding Hood, or fake moon landings. It's a more personal story, and I completely understand the comments of it being slower in episodes 2-4, but these past three episodes have been Fargo at its best.

It's my favourite show on television and I'm sort of excited it gets to go out as it came in, and that's as a great show. Not very many shows can say that.

Sounds like someone could use a faux-fur jacket, a cup of tea and a kitten to warm up.

And heal from their arrow wounds, bus wounds, kicked in the rib wounds, etc. Those poor kids needed a spa day.

And no commercials! Bravo FX, for letting that sequence ride like a wild pony. (We did pay for the commercials later, but I'm fine with that.)

Let's sign him up with a Reddit account, Wikipedia links and a fresh cup of tea.