I wonder if they cut a line of someone saying, "Joey is laying in the hallway - what the shit?". It seems like something awkwardly hit the cutting room floor.

I'm hoping Hawley has some sort of redemption for Chief Moe. Fargo always seems hard to review when watching first time around, because of the writing style. Noah hasn't let me down yet, but this is the closest he's come.

I'm pretty sure the reviewer not only missed Mr. Fucking Wrench, but also the awesome Jeff Russo drum theme for Mr. Fucking Wrench. Man - that was a blast to see.

Framed. I see what you did there.

They have used it once or twice, with Carrie Coon doing the voiceover.

Only the first two episodes related to bridge.

Would you leave a dead body in your parking lot?

"It's my dick in a mug."

Breaking Bad was AMC. Fargo is FX. FX loosened their rules a couple years ago, when Louis CK insisted on it. AMC, not so much.

And, I mean the color too - which was clear. The grossness is in the fear of possibility.

Noah Hawley sang on the last song, a cover of “Ship of Fools” performed by Fargo composer Jeff Russo. I want to scream narcissism, but damn if that song didn't work perfectly and pull at my frozen heart strings.

Or how thoroughly you're invested in a character. I can't say I ever felt this invested in a character in previous season as much as my gal, Nikki.

His strengths far outweigh the weakness in his accent. I'm completely sure the brothers are two different people at this point. I never thought he'd pull it off.

I had a moment where Nikki was getting beat up where I thought to myself, "I bet this is what my mom felt like when McDreamy died on Grey's Anatomy."

It's still jolting to hear F-bombs on FX. I know Louis CK did it, but it's been awhile.

I couldn't disagree with this perpetual wet blanket more. It's a smaller, more intricate story, but nonetheless artfully told.

I had heard they tried to get a Bowie song for that opening. May have been over their budget.

And yet, for me - the destination was perfect and the journey was long and tortuous. Can't believe it took SEASONS to get here. We want Saul! We want Saul!

This hopefully means the end or very near end of this plotline. This was definitely an 'A' episode, but it took a lot of meandering to get here.

I find the score to be a bit "too Hannibal" sometimes. When it transcends the Hannibal cues, it is indeed fantastic.