That sex scene … Jesus. It starts out as incredibly funny, but it's proof of Chaplin's old saying that tragedy is comedy in close-up: the longer they went with it and the more naked they got, the sadder it became, while still remaining funny; the climax (as it were) being Mark Duplass' weird flappy arm gesture when…

Yep. She watched Kate Winslet's career go stellar and has been biding her time ever since. She's absolutely the heart of this show.

While I greatly enjoy Todd's stuff about The Newsroom, I think that his complaints about this episode amount to a wish that it were in fact a different show. This episode wouldn't have been an episode written by Aaron Sorkin without Fonda's big scene at the end, and I can't believe that he didn't explicitly pick up on…

Yeah, I saw him doing a lassoo select around the general in which he appeared to be blocking out the rest of the area. The technical stuff in this episode seemed to me half-assed. But…

The best Beatles album is of course Sgt Pepper, but Americans don't get why because they don't really understand that rock music has nothing to do with authenticity. But Revolution 9 is not only a great track, but the greatest track on the White Album.

Robert Bresson
Filming ahead involves tight close-ups of hands and feet doing routine actions, non-actors giving clunky line readings and astonishing moments of unexpected transcendence. Be redeemed.