Hell, it's a rare occasion I see an artist who didn't have an album in the 60s or at least the 70s.
Hell, it's a rare occasion I see an artist who didn't have an album in the 60s or at least the 70s.
I appreciate Rabin on a deeper level than you.
Trump certainly thinks so.
Or understand the simple joys
Zoe was OK. But I wanted to turn that goddamned "Baby Beaw" into a rug. I still do.
Agreed. I love "Grouchland," but Follow That Bird's got it beat.
Nathan Rabin, he's going places!
I unabashedly love this movie. I had no idea it tanked at the box office. I didn't even know it existed until my daughter was old enough to star watching Sesame Street (which I happily watched with her, even if it wasn't quite as good as it was in its pre-gentrified 70s heyday).
THANK YOU.
Plus, Katey Segal was/is hot. The show was funny, but I though Al was nuts for not wanting to bang her all the time.
I wouldn't call Traffic "prog." Maybe (maybe) a precursor to it, but they were much more a heavy jazz/folk-rock group.
Traffic is one of the great 60s/70s bands. They were definitely a big influence on a great many jambands YMMV on how you feel about that, but there a number of jammy hippie bands I do enjoy (DMB is not of them though, nor is Phish). Many of those bands regularly cover Traffic somgs onstage.
I hate him, I hate his shit-eating grin, and he makes lots and lots of shitty movies. "Ballers" (Ugh, just typing that makes me want to puke) looks awful too. Yet he keeps getting cast in stupid shit.
Just as many of his constituents did when they (moronically) voted for him.
Fucked In the Trump
It always surprised me that they were "the most successful duo ever" ahead of Simon and Garfunkel… But really, S&G weren't together terribly long and only had a handful of (pretty huge) albums.
That show is STILL on?
If it helps, at their induction Hall and Oates themselves commented on how it's a crime those Philly acts that influenced them aren't in yet.
Too late. H&O have been in for two or three years now.
I remember picking up Sacred Songs, on tape, unopened, for a whopping $0.99 back in 1985 or thereabouts. Maybe the best thing Hall ever did?