I figured they were a shoo in for Wrecking Ball.

I didn't think The Help was terrible

I hope the writer is Mother Goose. But I want it to be a giant goose.

Also, no Lost? What the hell, VH1?

Man, I love the 2000s!

No woodchipper this season. All the other memorable Fargo things made it in. (briefcase, carflip, pregnant policewoman, etc.)

Well damn. I thought this looked like it would be really good. Hopefully it is and I just disagree with you.

This is probably the best episode of this show I've seen. I love Back to the Future, so I loved all the shout outs to that. I also liked that they kept some parallels to Wizard of Oz going, with Emma being Dorothy trying to go back home. (Hook can be Toto, I guess. The Witch did try to drown him.)

Hey everyone, Howard's mom is really fat and that's hilarious.

I miss Peter Gregory already. I do wonder how they'll deal with it.

Oh that was Aurora and Phillip? I already forgot about them and how much I don't remember/care about their plot.

Waterstain? I know that's what Richard said, but he pissed himself, right?

Also Yo La Tengo was on the board at the beginning of the episode, but showed up as Bobby Knight Rangers.

I really liked this. The concert sequences really captured the mood and the Lil Sebastian song always fits this show so well.

I mostly still watch this show because my gf is addicted to Tumblr, so I'm grateful for a Hook-centric episode. I wish I liked most of the other characters more.

I have had a ridiculous crush on Anna Kendrick for a very long while (Up in the Air, mostly), but I have to say the writing was wittier and funnier and just overall better last week in the Louis CK episode. I liked this episode fine, and Kendrick was good, but too many sketches were super forgettable.

Did Phil ever fix that step on the stairs? If not, then this is outrageous.

I would personally prefer you to keep doing Once Upon a Time (guilty pleasure). Do what you want with the rest of them.

I actually liked it. The writing wasn't creative at all (nothing new) but it gave the actors something new to play with. Mayim Bialik continues to sell every emotion she could possibly come up with expertly. There were cliches throughout, but a number of them were at least new to THIS show. Maybe if we're nice to this…

Oh I get it now.