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The Angry Internet
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Is this the guy from the village voice who pans every non-american crime film?

don't forget that Swedish is inherently funny and that the Swedish Wallander plays like a sitcom to those not inured to this ridiculous language from birth

don't forget that Swedish is inherently funny and that the Swedish Wallander plays like a sitcom to those not inured to this ridiculous language from birth

fractal beardlings

fractal beardlings

I mentioned this in some other thread but I'll repeat it here: "70mm" and "65mm" are the same thing. The films are shot at 65mm, and the release prints have an extra 5mm for the audio. You can see an example here — the red stripes to the left and right of the sprocket holes are magnetic soundtracks. Nowadays they use

I mentioned this in some other thread but I'll repeat it here: "70mm" and "65mm" are the same thing. The films are shot at 65mm, and the release prints have an extra 5mm for the audio. You can see an example here — the red stripes to the left and right of the sprocket holes are magnetic soundtracks. Nowadays they use

all these high-profile roles have priced her out of my sexual fantasies

all these high-profile roles have priced her out of my sexual fantasies

It wasn't a matter of choosing the divisive winner. It was a matter of the festival rules obliging them to choose whether they wanted to give Anderson a Golden Lion or Hoffman/Phoenix an acting award. It's basically the same thing that kept Amour from winning both the Palme and an acting prize (and that kept Mickey

It wasn't a matter of choosing the divisive winner. It was a matter of the festival rules obliging them to choose whether they wanted to give Anderson a Golden Lion or Hoffman/Phoenix an acting award. It's basically the same thing that kept Amour from winning both the Palme and an acting prize (and that kept Mickey

presumably a Hitchcock blonde who will go down on you

presumably a Hitchcock blonde who will go down on you

This is a Toronto thread and not a Venice thread, but it's Master-related so I'll put it here: the jury at Venice was going to give The Master the top prize (the Golden Lion) and a joint Best Actor award for Phoenix and Hoffman, but festival rules don't allow two top awards for the same film, so they decided to bump

This is a Toronto thread and not a Venice thread, but it's Master-related so I'll put it here: the jury at Venice was going to give The Master the top prize (the Golden Lion) and a joint Best Actor award for Phoenix and Hoffman, but festival rules don't allow two top awards for the same film, so they decided to bump

judging from how completely unsuccessful the review text is in its stated goal of making the movie sound unappealing, my guess is that Tobias was going to give it an A but then realized this might send the wrong signal

judging from how completely unsuccessful the review text is in its stated goal of making the movie sound unappealing, my guess is that Tobias was going to give it an A but then realized this might send the wrong signal

Haven't seen any of the others, but yeah it's great. Noel's right about the cop-movie cliches, but that's not really where it's coming from. It's basically a modernized kung fu movie where the wizened old master passes down a complicated drifting maneuver instead of a single-strike palm technique. And Cheang

Haven't seen any of the others, but yeah it's great. Noel's right about the cop-movie cliches, but that's not really where it's coming from. It's basically a modernized kung fu movie where the wizened old master passes down a complicated drifting maneuver instead of a single-strike palm technique. And Cheang

this is the real Atlas, that other guy is a parasitical impostenator