You ever read one of these articles and go "Wow, O'Neal was weirdly off his game on this one" before looking up and realizing with relief that it was written by someone else? Happens to me all the time.

Fiasco.

I preferred this column when it was movie-specific.

In all seriousness, if a girl wore this mask with a blonde wig, fancy gown and pair of Manolo shoes for Halloween and said she was Carrie Bradshaw, that would be amazing.

Crash is bad.

Yeah. I agreed with Sims getting the business when he nitpicked the earlier seasons, but Seasons 8 and 9 simply aren't that good. The show became something completely different from what it was before, zanier, cartoonish and one-dimensional. It still had moments, and Season 8 has a handful of good episodes, but I've…

Hey guys! I'm from Dublin! I think you should stop fighting!

You're likely thinking of the housekeeper for Sid, the mean old man Jerry was supposed to take care of. She couldn't speak English and got oil rubbed all over her body by George's bald head.

Yeah, Prepon was so bad on that show that I used to wonder if she was a producer's niece or something. Flat line readings across the board and never able to keep a straight face. The fact that the bulk of her scenes were opposite Topher Grace, who was so much better than the material, really put a fine point on how…

The answering machine message is the only good thing floating in a sea of convoluted inanity.

"The Susie" is the worst and most ridiculous episode of Season 8. Sims can't do anything right.

Also, there is absolutely no indication in that episode that Peterman has taken a shine to Morty.

I'd like to hear some elaboration on the notion that George feeds off of misery, because I've never considered that, but find it interesting as a theory. I guess working himself up into a lather is something that keeps him occupied, but I think his preference would be to, you know, not be miserable. It's just…

"Niggas In Paris" should be the next Woody Allen movie.

I think your assessment of the show is spot-on. But you seem to think the direction they took is not a bad thing, and that's a place I just can't follow you to.

The last scene with Elaine dumping Higgins in prison never set well with me. That seemed cold even by Elaine's usual standards. And it didn't even make sense, since she seemed to assume that he was bald anyway before she saw his driver's license.

So we've now turned on Sacha Baron Cohen? How awful of us.

Why does this article attempt to give the impression that Scrooged wasn't a financial success? It made $60 million in 1988 dollars and opened at #1. It also made more than Fletch.

I don't quite get the fuss about Drive. I enjoyed it fine, but seeing it pop up on best-of lists, as well as the overall cult fervor it's already built up, is a bit baffling to me. Hiring a talented director and top-shelf cast to film a script that could have literally been Transporter 4 makes it an interesting…

I'd like to thank you, Mr. D'Angelo, for calling it "Seven" and not "Se7en."