He must be from there. A wise man said a few weeks ago, "nobody wants to leave home".

Does anyone know what that music was they used over and over again mid-way through this season? I thought it was something from To the Wonder but listening to that again it didn't register as I thought it would, but it feels like I've heard it before.

Is that how you think it happened? I imagined maybe he pretended to forget to tell her something then choked her out. Something about the whole thing reminded me of the scene on the beach from Under the Skin but less frightening.

The way they jump on tragedy sometimes is pretty tasteless (Stephanie comparing 9/11 to her father's court case against the gov't is the big one) but they've done mostly okay when it came to paying tribute to their own. The best tribute however is the one they did for Andre the Giant. 10-bell salute, pictures, silence.

"The Luck of the Fryrish" gets to me more. Especially the end.

I watched Munich too (guessing you got the Blu-ray like I did). Best thing Spielberg's done.

Blomkamp's movie is supposed to take place after the Prometheus sequel.

Don't care much for pollution.

Thomas Newman would be a genuinely interesting choice.

He'd be a good choice. Another one would be Geoff Barrow from Portishead, who along with Ben Salisbury released an unused but very Vangelis-inspired soundtrack to Dredd, and more recently one for Ex-Machina.

I've only seen Enemy and if he can bring what made that work so well to this then I'm in.

No matter how dumb, boring or otherwise insignificant some of her movies are I have to give them at least 2 out of 5 because her presence is something else.

I heard they wanted Angelina Jolie, but she turned them down saying she didn't like the show.

Net Neutrality wins.

Would be interesting to hear his take on them because I think he's a big fan of 80's hard rock/metal (I heard a pretty awesome story from a promoter who hooked him and his family up for Black Crowes tickets) and they were probably outside his wheelhouse.

Now that I think about it there's one I hate even more, but it's pretty obscure. It was Ricky Steamboat and Shane Douglas' theme in WCW which had some cringe-worthy lyrics. I don't mind guys using outside songs at all, but the in-house ones could just be godawful sometimes.

I preferred his first theme, which is actually a quite the ripoff/homage to Ennio Morricone's theme from The Untouchables.

It feels careless and unearned here because the personal loss to Ripley is not really discussed and seems not to provide the motivation to kill them.

It's not that he doesn't want to make them, it's probably Sony that doesn't.Especially now that they hired a new head of production.

One that pops to mind is the one for The Mountie. Perversely I liked the one for The Quebecers which was the same but the line was "we're not the mounties!".