The creep-factor of talking teddy bears in live-action movies can be squarely blamed on Spielberg for A.I., correct?

Billy Cobham

Love Metallica or not, but this Glastonbury thing is stupid.

I would have just eaten the cabbage.

He sure did

Good, this means my script about the 3-year long journey to beat Sonic Spinball might be picked up now.

I want to know, but I don't want to know at the same time.

She even chews out Vic in the token "they told me you were bad news, and maybe they're right" scene a transitory character would be expected to have in a show like this. But it works mostly because Vic stands there and takes it and knows he's in the wrong, continuing what wallflower touched on last week about the…

I didn't mean to infer there were similarities. It begins and ends with the album cover but Pete wanted to top the epic scale of what Kubrick had accomplished with the film version of Lifehouse.

Dutch and Claudette busting the guy on the behalf of the DA for selling weed to his friends and cancer patients then and now strikes pretty hard. You can tell the guy is not the entrepreneurial type of drug dealer the show regularly deals with.

Townshend's idea for the movie was that he wanted to top Kubrick and 2001 (the cover of Who's Next is actually a parody of the monolith).

Lifehouse would have been a true epic in every sense of the word, had it been completed. The list of songs almost read off like a "greatest hits" too. It's too bad it was never made into a movie, which was even planned long after Who's Next. Hopefully someday it could still.

It was. Kind of sad how he's still not over it.

Sort of unrelated, but I always wish there was a Major League/Bad News Bears crossover sequel.

I'd prefer to see it that way, but I'll be happy to see it at all if it gets made into a mini-series.

It's at least an honorary concept album because of the reprise before "A Day In The Life". I don't think that had been done in a Rock context.

Tales gets a bad rap, which it somewhat deserves but I've come around on it. It's easily their most inaccessible work but I find that there's a charm in that.

"The pressures of life" has been the go-to line for the members of the band as to what it's about. Insanity is just one of the results, as it also talks about greed, empathy, getting older and death. It also reflects the workman-like pace the band was going at the time. They recorded it in between rather lengthy…

BOOM.

Kelsey Grammer's character had his moments. But yes, I was going to post that she had the two reasons why I kept tuning in but thought better of it.