If the folks at the AVClub would be interested in hiring a copy editor to review and correct text for punctuation, spelling, grammar, and the like, I'm available. I'd have to telecommute (I'm not leaving San Francisco for Chicago, or anywhere where it snows), but that shouldn't be a problem.
I'm not kidding.

If the folks at the AVClub would be interested in hiring a copy editor to review and correct text for punctuation, spelling, grammar, and the like, I'm available. I'd have to telecommute (I'm not leaving San Francisco for Chicago, or anywhere where it snows), but that shouldn't be a problem.
I'm not kidding.

[Grammar Nazi] Misplaced apostrophes here:
"to bring the characters' down to the audience's level" - remove apostrophe after "characters"
"If the show can stabilize it's relationship to Kane" - no apostrophe, "its' not "it's"
[/Grammar Nazi]
Your welcome [sic]

[Grammar Nazi] Misplaced apostrophes here:
"to bring the characters' down to the audience's level" - remove apostrophe after "characters"
"If the show can stabilize it's relationship to Kane" - no apostrophe, "its' not "it's"
[/Grammar Nazi]
Your welcome [sic]

Thanks for that!  The article in your link, plus the interview it's about, and the New Yorker review also linked in the first paragraph, made for some good Sorkin-annoyance (not -hate, that's too strong).  Doesn't say anything about Sorkin's love life, which McAvoy's relationships are alleged to mirror, but certainly…

Thanks for that!  The article in your link, plus the interview it's about, and the New Yorker review also linked in the first paragraph, made for some good Sorkin-annoyance (not -hate, that's too strong).  Doesn't say anything about Sorkin's love life, which McAvoy's relationships are alleged to mirror, but certainly…

At first I thought he was calling Merc's wife, apologizing for their earlier conversation. I suppose I should be embarrassed about that.

At first I thought he was calling Merc's wife, apologizing for their earlier conversation. I suppose I should be embarrassed about that.

I think it was Supremacy, when the car runs sideways up the metal ramp/rail/divider thing, there's a loud metallic groan sound effect that gets me every time.

Lane-splitting up the double-yellow, between head-on traffic on the left and left-turning traffic on the right. Fucking insane.

Gesundheit

@avclub-b9a25e422ba96f7572089a00b838c3f8:disqus is right, the people Bourne fights in the first movie are all the other super-soldiers from his program, Treadstone. At the end of the first movie, we hear that Treadstone's been scrapped, and that there's another program called Blackbriar - clearly a continuation or v2…

@avclub-b9a25e422ba96f7572089a00b838c3f8:disqus is right, the people Bourne fights in the first movie are all the other super-soldiers from his program, Treadstone. At the end of the first movie, we hear that Treadstone's been scrapped, and that there's another program called Blackbriar - clearly a continuation or v2…

Exactly. As airbrushed and idealized as the women's bodies are in the traditional "men's magazines", they at least resemble women.  The whole "never too rich or too thin" thing is a product of female-market-targeted "glamour".

Exactly. As airbrushed and idealized as the women's bodies are in the traditional "men's magazines", they at least resemble women.  The whole "never too rich or too thin" thing is a product of female-market-targeted "glamour".

I've long held that Cosmo has done more damage to women's self-image, body-wise, than Playboy and Penthouse combined.

I've long held that Cosmo has done more damage to women's self-image, body-wise, than Playboy and Penthouse combined.

But when he saw Sookie, his reaction was to drain her. Solidifying his turn to viewing humans as nothing but food.

But when he saw Sookie, his reaction was to drain her. Solidifying his turn to viewing humans as nothing but food.

I love Jessica