@avclub-997c221538094d134659141cf61d51e3:disqus That is an absurdly wrong statement.

No, you should gladly and forthrightly call him out for bullshit.

Maurice Lemaitre FTW.

No, the only useful ever to come out of Cannes was Guy Debord.

@avclub-976e5a7c9f5586745269c99891652285:disqus Ah come on. "Wild at Heart" is great fun! Just chill…

Wouldn't that be "The Meaning of Life"? They all end up in heaven!

Flagged!

Yes, because English has no bullshit words.

This won the Palme d'Or? No fucking way!

@Hapless Flunky You win!

Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz….

Ted. Always vote for Ted.

I've given up on Resnais. His career started out SO strongly, with his great early shorts, Hiroshima, and Last Year. But everything else that I've seen (some six-seven films) showed evidence of a gradual but continuous decline in quality and relevance.

Guy Debord certainly would have agreed with your grade, though probably not with your reason for it.

Hiroshima Mon Amour is his greatest work. Then his early shorts such as Statues Also Die, Guernica, All the Memory int he World, and The Song of Styrene. Only then Last Year at Marienbad.

A statement that is true is true no how many times you say it.

I agree. Don't listen to that bastard SayYouWantARevolution.

I miss Rabin.

Have you seen all three versions of "Arkadin"? If not, then I advise you do so and get back to me.

Yep, goofy. That final, stupid scene when the one guy is driving back by himself and has that stupid goofy smile on his face as he's bouncing along inside the truck, and then you just know - BOOM! he's dead. Goofy, predictable, tired.