I'd have loved for the song that plays over the end credits — Pyramid's "Babyteeth" — to have been utilized instead in a slo-mo montage or something. The music and lyrics perfectly compliment OAR's strange, bleak moodiness.

I haven't seen such a unanimously negative response since the "Frasier" spinoff, '"Hey Roz."

You had me at "Winstead…vomiting profusely."

God, I miss Percocet.

BALONEY!

Mine was the ep in which Woody and Sam were trying to kiss Rebecca. Sam feigns choking and falls to the floor, Rebecca calls out "Does anyone know mouth-to-mouth?" Al runs in yelling, "I do! I do! I do!" Sam jumps up, indicating he's all right. Cut to Al: "Works every time."

No.

Al got a lot of mileage out of his meager dialogue. Some of the biggest laughs on the show were his one- or two-liners.

Are there grease stains on that photo backdrop?

Product integortion.

Don't you mean anti-dentite?

The first time my dad saw that he laughed so hard I feared he'd have a seizure.

The 'modern' artwork adorning Peanuts merchandise over the last 10-15 years is off-putting to see. Surprisingly, a large portion of Hallmark's 2011 Peanuts holiday gifts features 1960s era artwork which, as a hardcore Peanuts-phile, made me happy to see.

"[Grossman] has access to the unutterable…"

Estes Park.

Ben Roethlisberger?

Squeeze's "Christmas Day" is such a great pop song. It's got a good hook, catchy lyrics, and the way they sing the refrain in the round at the end is fun.

Impossible to read without hearing Maher's delivery in your head.

http://www.youtube.com/watc…

"Yeah, it’s like Escher."