If Sandinista is a "difficult and experimental phase" record, then it's the best damn difficult and experimental phase record ever recorded.

Please bear in mind that I'm talking about a fringe nationalist opinion, the vast majority of Irish people harbour no real animosity towards the English (no more than the average european anyway :P )and very few people would actually have been upset at Gaddaffi's death (hence why I was taken back by my old housemate's…

Gadaffi actually had some support amongst Irish Nationalists, republican extremists and the likes as he supplied the IRA with a shitload of Libyan weapons back in the 70's and 80's.

I just, and maybe I have this all wrong and am being horribly unfair to Miss Johannson, but it seemed like all of the actual stunts and fight scenes (which were really good) were obviously being done by a double.

I liked her in the non-action bits, especially when she's paired with Evans, however the action scenes with Black Widow seemed like a mix of awesome stunt work cut into Scar Jo unconvincingly trying to look like an ass kicker.

I was put off by the "crappy" animation at first, but after going back and looking at some of the episodes, I have to say, that while they appear to have gone for a look that's basically "web cartoon with an extra $50 in the budget", the design of everything from the doggie exosuits to Hepatitis C has been really,…

I've long held the belief that Snow Patrol is aimed at folk who found Coldplay a little too metal for their tastes.

I haven't read To Hell and Back in over 10 years, but I'm pretty sure he was white in the covers at least.

I wasn't particularly thinking of DKR there, as he mostly goes after feminists, hippies and liberals in that one, but moreso how I can't think of a single black man in Sin City who wasn't a hulking brute / criminal bastard, and how he's so very fond of drawing them with exaggerated racial characteristics.

Not many. All I can think of off the top of my head are various goons and a strawman bleeding heart liberal ("oh no, I'd never live in the city") in one of the vox-pop sequences.

Miller is unapologetically anti-Islam, and his 300 was an unambiguous allegorical tale of a time where (as he saw it) Western Civilisation took a stand against Eastern Barbarism and pushed back the tide.

I think Synder's biggest problem is he's a fucking tool. Frank Miller on the other hand, totally has a problem with gay people. And Muslims. And women who don't fit into his Madonna/Whore paradigm. Oh and Commies, Hippies and probably black people.

What I love about it is how you get guys like Raekwon and RZA who submit notes to their own lyrics, as well as little videos talking about the song in question.

If the show would just embrace it's bullshitty craziness like say, Sleepy Hollow has done from the outset, then this could well become my favourite show of the year. Right now it's like, 40% taking itself seriously, and that needs to stop soon.

I was a dinosaur obsessed kid, and this movie was my woodstock. I saw this in IMAX last month, and it was like I was 9 all over again. The whole sequence where the T-Rex first steps over the fence and roars is up there with anything from Jaws.

They invert it slightly, but the heart of this movie is really Thor and Loki, and it's better off for it. I enjoyed the first movie a lot more than I expected, but I genuinely straight up enjoyed the hell out of the sequel.

Also, Kat Dennings and the wacky astrophysicist scoobie gang attempt to get SHIELD in on it early in the movie (before she knows much about the actual threat), but it's suggested they're screening her calls.

Portman doesn't have that super annoying little girl voice thing going on for her? Maybe Thor never got into Daria…

http://www.youtube.com/watc…

The fuck