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NBC is the new Orange
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First of all, this was an outstanding review and analysis of the troubles that the writers have had in convincing me that Felicity's reactions to Oliver's lying by omission are consistent with his transgression. Also, I am still chuckling about last week's miraculous cure just so she could dramatically "walk out on

They would have been split down the middle between "The Jeffersons" and "Good Times" as well, but there would have probably been a consensus in favor of "Cosby."

And who dies first? Dylan? Romero? Or some collateral damage again—maybe Emma?

Norman and Norma have "willingly" committed themselves to institutions in which they both feel trapped, in a corner, so to speak. I get the feeling that the therapist for Norman is not to be trusted, and is hiding a dark side himself. Of all the "Unsinkable Molly Brown" cliches, why does it look like Romero has hidden

This show is bordering on the awfulness of last season's "The Slap." I am surprised that an actress as good as Joan Allen would agree to all the poor writers' choices for her character. Alison Pill just needs to get a new agent—she is being cast in roles that make her look foolish.

But the documentary inferred that Nifong had a long history of hiding evidence and unethical behaviors long before this case.

Very good documentary. Watching it, I saw whom Donald Drumpf should nominate as his running mate: Nancy Grace—she is the epitome of all that is bad about media "journalism" these days. And secondly, it seemed to be a parallel fable to the "Making a Murderer" documentary, in which the justice system starts with a

Gee, you can tell she was (once) a mother of four.
—God, that made me laugh.

If so, all I can say is, "Get thee to a numbery."

WORST EPISODE OF THE WORST SERIES OF THE YEAR!!! And this follows the brilliant Bates Motel? A&E guys must be as bipolar as Freddie Highmore's character.

Also, isn't it time to start giving out some well deserved kudos to Andrea Navedo's performance in this series. Hollywood should wake up and make a Rita Hayworth biopic—NOT on Lifetime TV—with the right team, she could be the spitting image of her.

Jamie deserves a better plot line, although I am prejudiced—I want him and Michael to have a spin-off of Adam-12, where they can "bro" all day long.

I think they should make a documentary similar to Room 237 which deconstructed the Shining, in which the scenes from Ryan Murphy's series could be juxtaposed with actual footage from the televised Court proceedings. Because I see so many people commenting here and wondering if some of the more outlandish stuff is

Thrusting one in the heart of a vampire is fatal, unless it's Ted Cruz.

I guess this was apparent before, but I always assumed that the reviewer was male. Sexist of me, but I assumed daddy won the battle in naming rights, and anointed his son the name of Pilot. And then I started reading the review, and thought how cool this is that a guy would have this much sensitivity and

Discharging Norman without at least some low-dose generic psychotropic drug was a little unbelievable to me given his presenting problems and the doctor's diagnosis of a psychotic break. Even for a county hospital, that seemed a little off to me. Also, loved the juxtaposition of All Saints in Portland and the

Discharging Norman without at least some low-dose generic psychotropic drug was a little unbelievable to me given his presenting problems and the doctor's diagnosis of a psychotic break. Even for a county hospital, that seemed a little off to me. Also, loved the juxtaposition of All Saints in Portland and the

It's obvious that Samuel Hunter and Louie Anderson are saving this show from a CK drudge. Even Galifinakas' character has begun to shine in these past two episodes. Chip's dad committed suicide jumping from that bridge, yes?

The closed caption said "Cumpston." I went to school in West Virginia with a kid with that name.

Just overdo the 4/20 celebration, and it will be there before you know it.