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What happened to the person who was drove the zombie-laden van into the prison? We saw him/her jump out and run, but run where? Was the zombie van just cover for a person who is now living inside the prison, reporting back? I admit that is too much of a drama-filled entrance (the spy could just walk in the back, like

Yes, Andrea was a civil rights lawyer, and I think she was probably a very good one.

Thank you for teaching me this valuable lesson.

From what I can remember, this show has always had music, from the get-go.

The Gov knows a lot about what's going on in the prison. He knew all about Shane, knows all about the guns they got from Morgan. Who's telling him this? Is it Meryl? Is he just there to get Michonne to go back with him, on a raid to Woordbury that turns into a trap for her?

Greg Nicotero says you may get your wish:
(I don't think I would characterize these as "spoilers," but if you don't want to know the direction the show may be taking then don't read)
http://insidetv.ew.com/2013…

Well, in the episode where Glen saved Rick in Atlanta, the two of them climbed the fire escape ladder, then had to climb higher because the zombies were climbing after them. The zombies also smashed the glass door with rocks. Haven't seen them do either of those things since.

At least they got the mud correct.

I actually thought that the dialog was good.

The mud in the south is legendary. Georgia has this wet clay that is so easy to get stuck in. I liked that local touch.

Yes, and that was a good thing! It is a return to the very spare, time-condensing editing that was done in the first few episodes, where action such as people walking through doors or from one place to another is cut out completely. It's almost like a series of still photographs, and you get to see each one for a

I hope she hangs the kitty up in her cell. I look forward to seeing it in future episodes.

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The editing was superb, a return to they style of editing that made the pilot move with such intensity. In the pilot Rick is outside the house, then he's inside, then he's on the floor in despair. A series of brief shots that compress time and tell you all you need to know in seconds. They lost that style of editing

If I recall, it was said earlier that waves of walkers were leaving Atlanta in their quest for food. That's potentially more walkers than you could brain in a lifetime.

LOL - I really did roll on the floor when Andrea said "Those people need me!" All she did was walk around wearing a pissed off expression (what IS that expression? Sneer? Contempt?) while other people did all the hard work of cutting the lawns with nail scissors.

I've been watching TWD in B&W, and it is wonderful to go back to those first few episodes (not to mention how beautiful the show is in B&W.) Everything we now know about these characters we learned in those first episodes. Nothing new has been learned, nobody has been changed (except Rick, and I'm not feeling the

Fixing the gate would require some dental floss. These country walkers are slower and take less initiative than their city cousins. 

Then again:
1.  In real life people die, people change, people move on, people are born, people move in. Life is constant adaptation to change, and I don't know why TV fiction should be any different.
2. I think Matthew's death will open up some interesting possibilities for Mary. She'll be put through the wringer and

Yeah, cause nobody dies in car accidents these days.