AND TOO MUCH STUFF

You're right, I blew it. Now I know how Billy felt at the end of Easy Rider. Except he said, "We blew it."

Perpetual Change

Who is Julia Roberts?

"HELL NO. Lemme take off my earrings, somebody hold my purse!"

Yes, but with more sass.

Get out of here, you pearl-clutching freak!

Here's something that happened to me. I went through a 20 year phase of writing spec scripts and going through the grinder trying to get someone in Hollywood to take me seriously. My first project was inspired by Alfre Woodard, whom I loved in Grand Canyon and Passion Fish. I wrote a one hour pilot episode of a…

I tried watching to see what all the hubub was about and couldn't get past the first ten minutes before I decided the dishes needed washing.

Ha! More Like Dead BRAIN Magazine. Am I right?

And all the gay characters. Don't get me started on all the gays on TV shows!!

Good point, and it's got me wondering how you say "Lord have mercy," in German.

You're not alone I would suspect. Gabriel's voice had more emotion and personality, but Collins was the more powerful singer.

Pretty much every cut on Live at Leeds, especially My Generation.

Yes, but too obvious for hip people.

I don't expect that many on AV Club are into Progressive Rock and/or Genesis, but Cinema Show and I Know What I Like from Seconds Out are immensely better than the originals instrumentally, though Phil Collins vocals are arguably not nearly as nuanced and passionate as Peter Gabriel's.

This technique is not new. Oog was shifting keys while playing his tuned rocks way back in 300,000 BC.

Most of these songs suck. Surely there are better examples of the shifting key change than this pile of mostly dreck.

Percoset. Lots of Percoset.

"We're the only ones who can do this!"
Well that's original.