Don't fret yet, we still have the inevitable cancellation/renewal Newswire article. And it will be glorious either way.

Tough. Soft. Tough. Tough. Tough. Soft. Tough. Soft.

Yeah. The original post reads like a mid-90's SNPP review. Actually I thought this episode was fairly strong, though, relatively speaking, so maybe it's MY perspective that's clouded.

Also the "Z-Shirt" sketch started out somewhere dull but by the end I was crying.

"The return of Bobby Moynihan and Cecily Strong’s profane employees (this time working at Barnes & Noble) also went over like a lead balloon"

I like that his hatred of it is what brought him out of his funk.

He cannot self-terminate. You must lower him into the steel.

I used to be turned off by his style, but I've slowly come around. His interactions with Peretti are an amazing mix of the gleeful and the cruel.

"Oh, no! The corn. Paul Newman's gonna have my legs broke."

IS DAVID FINCHER GOING TO BE IN THE BAND?!

[Todd pulls covers back over his head, groans.]

"OK, you're you, I'm me."

MAYONNAISE BECAUSE SEMEN BECAUSE GAY. HA! HAHAHAHA!

MUCH better sounding clip of this performance, here:

Terriers? :(

He looks like a McPoyle.

@avclub-2654adfd65b6ca4a8ac25a9f727d2262:disqus @avclub-0d5db791e260aff09b1844fbbf0b97d5:disqus In the comic there's a rather meek prisoner who actually turns out to be a psychopathic murderer and the whole time I was assuming they were going to conflate him with Axel's character. Assumption: incorrect.

HOW CAN THE SAME FEMINIST MOVEMENT HAPPEN TO THE SAME WOMAN TWICE!?

"Class, instead of going to the box factory today, we'll be going to the…box factory!"

Thought it was pretty dull, to be honest. The Passion of the Christ line was pretty funny, though.