avclub-85065180e34af1320f3aae7ab12fde60--disqus
NightmareFuel
avclub-85065180e34af1320f3aae7ab12fde60--disqus

The episode "Truth" is absolutely hilarious and also quite sweet/sad, but probably won't make much sense out of context. The problem with the show is that towards the end of season one it gets batshit crazy, and there's a bunch of weird mythology and serialization — not to say there aren't good, funny standalone

Can't tell if you're being sarcastic, or don't like Freaks and Geek and/or any of the many shows he's had a hand in directing.

Probably because it was the first original screenplay to "break the sex barrier" to come out in recent memory. While the Sex in the City movies did come out before it, it's not quite the same when you have more than a a fanbase and goodwill that has been growing for a decade before the movie is released because of a

He's an Academy Award nominated person, he can really sell that shit.

If it wasn't paired with Louie, I feel like Wilfred woud get more recognition for being as fucking innovative/awesome as it is. Louie is revolutionary, to be sure, but WIlfred deserves better than being the little watched show that pales in comparison to Louie's genius, and gets lumped in with the Brand X's and Anger

Wilfred is seriously one of the most underrated shows on TV. I think a bunch of people wrote it off because of its goofy remise, and middling first couple of episodes. But it really hits its stride after a couple of episodes and becomes a dark, surreal and hilarious mindfuck that also manages to be emotionally

Yeah, everything from Princess and the Frog onwards has been pretty much fantastic.

Madagascar 3 was actually a pretty fun movie. Not lying. Of course the A plot was some standard shitty kiddie fare, but everything to do with the penguins was an insane amount of classic-cartoonish fun. Plus there are some really amazing looking scenes as well, like a neon lit circus sequence that was eye popping.

@avclub-954aef1dd01f3d3bb8e12966116cfdd1:disqus Oh, most definitely.

Eh Clone High, whatever….

How good is Mars Attacks! though?

You know, I usually go for the vinyl edition of stuff/artists I really like (if possible) because even though I don't listen to LPs that often (though I like the sound), it really is the best packaging you can get — and I love me some large scale artwork and cool inserts and labels and whatnot. And since most new LPs

I'm buying it because despite downloading it, I NEED the CD for my car, and my disc drive is broken. Also, supporting artists and stuff…

Also that refrain that comes out of nowhere is so pretty as to actually become kinda disturbing. Like it's blindingly beautiful, and it just kinda doesn't belong on the album, and doesn't sound natural to the point where it is kind of uncomfortably enjoyable.

I dunno about you, but I think "Diane Young" is fun as hell.

He's been making records since you were sucking your mother's dick.

In other news, new album Watch the Crib by Blu Ivy Carter and [Kanye's Baby's Name] West announced for summer 2014.

@avclub-61b07251e835d37322b7460d2b88c05b:disqus Not according to "Hands on a Hardbody"

My friend makes a habit of this. My personal favorites are:

Now I want a Daft Punk/Residents collaboration and/or world tour.