avclub-832688ff5af6c6dfef974773740ef2b5--disqus
she has hot pants
avclub-832688ff5af6c6dfef974773740ef2b5--disqus

Hurlyburly. He's a perfect jerk among jerks.

I'm pretty sure the Michael J. Fox movie was "Secret of My Success." Which was sort of an Alex Keaton via Ferris Bueller character. The movie was absolutely pro-corporate/capitalism.

I just saw Ian Svenonius’ current band (Chain and the Gang) open for Thurston Moore's Chelsea Light Moving last night in Baltimore. Between this Hear This and the SY Gateway to Geekery… this can't just be coincidence, no? (They were both tremendous, of course.)

If the Rolling Stones want to remain culturally relevant, they should do what all the other mega-rich skinny white english 1960's-blues musicians do: play acoustic blues.  Or whatever else they want.  Without concerns for touring ever again.  We might end up with an album that sounds half-Keith acoustic blues a'la

Discussing the artwork in Frankenstein - let's not forget the always inventive and rich coloring of (Lemire's "Sweet Tooth" collaborator and recent Harvey Award-winner) José Villarrubia!  He's the bomb, yo.

Andy Sidaris would be ashamed of you all. Except for ieshido.

This film is the prototype for the contemporary British gangster film. It has all the ingredients built upon since - homoeroticism, brutal violence, stylized visual, sex, drugs & rock & roll. It begs to be discussed on this site.

Hello Dolly - NOT A FLOP
from Wikipedia: "It was one of the top-grossing film of the year. When it was released on video in 1980, it earned $1,000,000 in sales, almost as much as The Sound of Music."