Patti Page: "Go On With the Wedding" b/w "The Voice Inside"
Patti Page: "Go On With the Wedding" b/w "The Voice Inside"
I always thought more Kurt Schaffenberger's Lois Lane.
Well, Psycho seems to borrow (even Janet Leigh) from the motel shenanigans in Welles' Touch of Evil. I mention this every so often, and most cineastes don't want to go there.
Homophones actually (I was corrected on this here recently).
OMFG SMDH etc.
When I went to prep school, some of the housemasters were in their thirties (they may have seemed older than that), so it's not really a stretch.
This is actually a fiction trope. I have heard or read any number of characters say to a friend or relative, once an affair has been exposed, "Don't assuage your guilt by confessing to her/him! Live with what you did and don't hurt him/her." I don't necessarily agree with this reasoning, but there is something to it.
I interpreted that as a possible further point-of-view issue, i.e., Noah and Allison in the present also diverge from one another in terms of their perception of events. But that idea seems a little crazy to me now.
You're assuming what we saw is what they told him. I rarely had that feeling. It always seemed to me that the interrogations had very little to do with the "flashbacks."
They didn't.
If it were LA, he might have played a UCLA concert series (they're world-class), so maybe it was at University of Chicago or Northwestern.
You misunderstand. You asked why the reviewer keeps reviewing the show. "Paycheck?" = "Because it's her job?"
I still say Zeek will survive, and Camille will kick the bucket.
And spouses. My husband came to twelve performances of a play I was in. It was a great show, nut not that great. But I didn't complain.
Sarah should be getting grandma screen time in the final episodes.
1) Wondering why they made such a point of displaying the Songs in the Key of Life album cover when they chose a song from Innervisions for the cue.
A little stiff in the shoulders, but not everyone can be Justin Timberlake.
"This has to be the most stagnant and redundant show on television."
His monologues are the essence of Shondaland writing, which is to say a parody of themselves at this point.
Paycheck?