WELL:  don't YOU think you're just OH SO SMART.

Just to play Devil's Advocate:

Sad to say: George Lucas sucks lame boring [and CGI/Green Screen ridden] dung.

Superman's only villain is Kryptonite.

Oh, it's bad.

But Scrawler!  The Newsroom is so very, very bad, that it's actually good!  It's fun for me to watch it for its sheer…crapulence!

BOO-URNS-ARDS!

HELL YES!!!  (I own the DVD-A.) The listening experience is amazing—the benchmark version of this album, in my opinion.

The surround sound version of this album—I own the DVD-A, though there was a SACD as well—is even more incredible than the stereo version.

The manner in which Bob implores Pete to allow his mother to just be happy with someone reeked of "LET'S BE MORE THAN FRIENDS, PETE" subtext. At least, in my opinion.

I'm sorry velocityknown, but I do believe Bob made a bonafide pass at Pete.  (I don't think knee-rubbing is acceptable platonic office etiquette between male coworkers even in 2013, much less the late 60s.)

But not long-haired cats!  {SHUDDER}

Why did Bob even attempt to connect with Pete, being how:

Thanks for the spelling lesson.  I had quickly "googled" it and assumed "unich" was acceptable.  But I'm for proper spelling of words, so:  thanks!  (I also should have known better.)

He was so instrumental to the plot in season/book one.  I find it hard to believe that his role isn't as important anymore.

Please remind me:  Varys and that dude who hooked Dan and her brother with the Dothraki, when Arya overhears them in the lower chamber of Kings Landing.  What exactly/specifically did they plot/manipulate?

You're not wrong; I don't believe she's a great actor either.  Not horrible, but not stellar.

"I'll 'raven' you baby, I promise!"

Ha.

"This episode is very far from an A-. I would give it a Z, because that's what I was doing by the end."