avclub-7b1de496ec9380c2611cd71d7404befb--disqus
gabirol
avclub-7b1de496ec9380c2611cd71d7404befb--disqus

"Behold a Pale Horse" is a conspiracy classic by William Cooper. I just downloaded it, and on the first page it says that his wife is called Annie. He.

It made me think of Starbuck at the beginning of BSG, when she's being told the names of people who died, and she just goes, "Right." — "Apollo?" … "Right."

Rumor would also have spread about the guy who sang a little song about Cersei, and got his head smashed.

With Lexa's death, the science fiction elements of the show swallow the warrior epic. I think that is the hidden reason why people felt cheated. Genres have rules, genre mixes don't …

Clarke needs Bellamy, so she says what it takes to get him back in the game. It's a bit of a stretch to read this as the show forgiving Bellamy.

I like how Finch and Root are Giles and Buffy now. — Also, the show mentioned a CIA operative called "Mark Snow", who in real life is the composer for "The X-Files".

At first I thought of "Restless", where Buffy communicates with the First Slayer when the group falls asleep watching "Apocalypse Now", which you gotta admit is pretty much this show.

Kristen Bell's demise on "Deadwood" comes to mind.

"Laura", obviously. A beautiful late noir, and a huge influence on the episode / the show.

Bringing Quinn back means dealing with Faberry.  Better leave that for another time.  "Something different." — "Maybe something better."

Quinn is what?

Quinn is what?