Way to ruin it. Next thing you'll tell me that Larry the Cable Guy isn't really a redneck.

Admit it, Hyden, you only gave this a B+ because you can't forgive White for that ICP collaboration.

@avclub-f079b53bcfcde2c125cc74ced47bfbcd:disqus So you're predicting hologram Soulja Boys?

Dr. Dre never rules out, however, the ability to hologram resurrect black Michael Jackson for a sequel to Labyrinth that involves David Bowie's aging Goblin King being threatened by Jackson's sinister court jester. The pair would do battle until the now-grown Jennifer Connelly, disillusioned by the current economic…

I wouldn't mind hearing news about when I can see a trailer for Seven Psychopaths or Django Unchained.

I thought the entire conversation between Cartman and the Pharaoh was brilliantly subversive. The Pharaoh is reasonable, sweet, and thoughtful yet God brutally kills his children because they aren't Jewish. In the end, Cartman's fear-induced religious conversion is seen as no less ridiculous than his fear-mongering…

Them's fighting words!

I like the Adam&Eve ones for the irony of hearing Marc Maron rant about misery and mental health issues, switching instantly to convincing people about spicing up their sex lives.

Jesus, I'd hate to see what your Youtube account did to the "Friday" video.

I hated the intro when I first started listening, but now that I'm a regular I find it irresistible. I appreciate the neurotic ramblings as a context before each episode.

He really only had the self-important douche thing going on for about the first third of PJ's career.

Not that anything off of "Highway 61: Revisited" could really be considered underrated, but "Tombstone Blues" knocks my socks off every time I hear it.

Apparently Erika Wennerstrom had this side project going with the lead singer of The Black Angels called Sweet Tea. I don't know what happened to that, but I want it.

You would think "Into the Open" would have sealed the deal. I remember hearing that song for the first time at Lollapalooza and just figuring they'd be a household name by the end of that year.

I don't think it's a thing with Malick. Even when actors are in more than one of his films, he rarely centers the narrative around them.

Featuring a scene comprised of the entire case of "Community" plus Nick Offerman.

But in shy, hushed, whispers that aren't diagetically in the scene because, you know, it's Malick.

I liked Hader's character in the Cee Lo sketch, but I think that has more to do with the fact that Hader is the only current cast member that consistently makes me laugh.

Bon Iver sounded great though.

It really is brilliant. Not in the way the Lonely Island got an A- either. This one's, like, a real A-.