I fucking agree.

I have one issue of that original run of Human Fly that happened to be in a stack of comics I bought from a friend in the mid-80s. And I'm going to bet that that's one more issue than anyone else here owns.

I have one issue of that original run of Human Fly that happened to be in a stack of comics I bought from a friend in the mid-80s. And I'm going to bet that that's one more issue than anyone else here owns.

Holding out for that Breadwinner reunion… not really.

Holding out for that Breadwinner reunion… not really.

Bitch Magnet were not hardcore. LAME FUCKING JOKE.

Bitch Magnet were not hardcore. LAME FUCKING JOKE.

I'm a little shocked to see this make much news. I was a fan but I have to admit, I don't dig these records out very much.

I'm a little shocked to see this make much news. I was a fan but I have to admit, I don't dig these records out very much.

TFISTT

TFISTT

When Batman: The Brave & The Bold used these characters (and the used them many times) they always stood out the the MOST dated characters in a series that dealt almost exclusively with dated characters. They almost seem Golden Age rather than Silver Age (there's some metal references for you). Towards the end, just…

When Batman: The Brave & The Bold used these characters (and the used them many times) they always stood out the the MOST dated characters in a series that dealt almost exclusively with dated characters. They almost seem Golden Age rather than Silver Age (there's some metal references for you). Towards the end, just…

Right, both artists are of the people they sing about/represent.

Right, both artists are of the people they sing about/represent.

The OP's point is that the author tries to paint NWA as a hyperbolic novelty act ala KISS or GWAR. Start at paragraph 4 on page two. It's as if the author has to paint NWA as a semi-joke so as to deal with the group's content on his own plane, a plane where he can seemingly giggle along with NWA instead of giggling…

The OP's point is that the author tries to paint NWA as a hyperbolic novelty act ala KISS or GWAR. Start at paragraph 4 on page two. It's as if the author has to paint NWA as a semi-joke so as to deal with the group's content on his own plane, a plane where he can seemingly giggle along with NWA instead of giggling…

Um, yea, the article suggests it.

Um, yea, the article suggests it.

It's easy (hey!) to dismiss NWA as cartoon-ish, too braggadocious to take seriously. But that certainly was not the case at the time. You didn't look up at the TV to see who was making this music and see some sci-fi horror thing like KISS or whatever. You saw the guys from every big city's poor black neighborhoods.…