First show for me was Presto tour in 89 in Houston. Saw them three times for Roll the Bones (Houston, San Antonio, Lubbock… acoustics in Lubbock were awful)… over the years, 10 times.

There was an @Midnight where one of the comedians made a cat/pussy joke, and Hardwick responded by saying that if he understood his standards and practices contract, the first pussy would stay in, but that they would bleep the second. And of course, he was right… A clever way of getting sexual pussy on TV before…

In a high school journalism class, I wrote a report about the MPAA's automatic language rule regarding fuck. Sexual fucks were rated R, non-sexual fucks were PG-13. The key quote was "I'm going to fuck you over is Rated R. I'm going to fuck you over the desk is PG-13." This was in the 1980s, so I don't know if that…

Mystic Marathon, here I come.

The throwaway vote made perfect sense. He knew that Nadiya was going because he'd seen the levels of commitment to voting on each side (something that I'm guessing would have been clearer with a less misleading edit). So he had the choice of going strong with the men or the women, and chose instead not to solidify any…

Watching that movie in the theater with a good friend, despite all of the skin and sex, that scene in the studio left me with the strongest feeling of being caught with my pants down. Lots of people enjoy copious nudity. Recognizing that song as a "hit" from the Transformers movie… that wasn't something to be proud of.

This song was a favorite for some college-era friends… it played four or five times at their wedding reception. I think the bride was getting sick of it after one playing.

In this case, good lighting wouldn't improve the situation. For teenagers fumbling around with their first sexual experiences, a little darkness is a good thing.

"I'll never break my promise or forget my vow, but God only knows what i could do right now."

The musical chairs quickfire could have worked if the rules had been a bit more defined… Such as, if there was an hour of cooking time and you were going to get several chair changes during the first 40 minutes, but you were guaranteed a stable spot for the last 20.

I don't like his music much, but Jason Mraz did a fantastic cover of "Killer Queen" that was eerily Mercury-like.

Not every lyric is going to be gold, but Fun. has penned several or the more interesting lines out there these days. I'd give them a free pass for quite a while for the anti-church, gay rights screed in "One Foot."

That's what I like about the song. It's this great anthem… to a downward spiral of debauchery. There are casual mentions of leaving scars on each other and carrying passed out drunks home. It reminds me of people thinking The Police's "Every Step You Take" was a love song.

Possibly, but the talent level to watch isn't Hardwick. Last night, Patton Oswalt was on the panel.

For those on the fence, check out Monday's show with Kristen Schaal (who may or may not be a horse). The structure of the show completely broke down as the comedian inmates overtook the asylum. And the show was great because of it.

I didn't see this particular episode of the series, but apparently the line, "Oh Mom, you're so good!" took on a cult-like place in my friends' dialog for years.

Given the leadup and description, I was expecting something much worse than this. Weird? Definitely. But that great, Rage-Against-the-Machines-ish bass line really anchored the whole set, giving everyone else the chance to build some nice little funk moments.

@avclub-2d8ab0375d529c0ccfcdb1c61a09f1c2:disqus  in that way, it was similar to the way back birthday episode in which she threatened to throw a party for him all day. When he finally acquiesced at the end of the episode, she gave him a big steak, a bottle of scotch and put Bridge on the River Kwai on the tv for him.…

I saw where you were going with that, and it was going to be beautiful.

I always imagine David Thewlis in that role.
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