avclub-72c26dade152f790ddc1cb0559c2ba96--disqus
PantsGoblin
avclub-72c26dade152f790ddc1cb0559c2ba96--disqus

That's great, Brandt, but don't you want to comment on the Game of Thrones article as well?

So, from the header image, it'll feature everyone's favorite character, Starbucks Doublefister.

Thanks.

I hate even Robert Rodriguez's "good" films, so I can only imagine him slumming in kidz movee territory.

I didn't hate Punch Drunk Love. I guess I'm thinking more a film like the Mark David Chapman movie where Leto got really fat for nothing.

What's the worst? I'll never have kids so I'm interested on a lurid level.

I'm still holding out hope that he'll develop the "I deserve an Oscar" itch and we'll get a ridiculous prestige catastrophe out of it. Though I suppose that might have been The Cobbler.

Even more so than most A.V. Club pieces, this writeup reads like an old Larry Groznic op-ed from The Onion.

Layup joke time:

Internet wit at its finest. You can take the rest of the eternity off, Joe.

Uh, it's an income source for Antonio Balderas so he won't have to hawk cologne?

What, you didn't hear the grit of her difficult background (she lived in a van, damnit!) in those wispy little pop tunes?

In the case of Dreamcatcher (which I love), I'll give Lawrence Kasdan and William Goldman credit for making a movie that evokes the sort of delirium that Stephen King was supposedly feeling while blitzed on painkillers in writing the story.

I always had a slight soft spot for this one because it depicts the area where I'm from and Jonathan Rhys-Meyers plays an interestingly fey and sickly-looking villain. But the story completely turns to mush in the second half and ultimately the film's not that recommendable.

It can be a duality, or something to that effect.

If they mock you for watching A League of Their Own, you have permission to engage in a Quiet Man-style epic brawl.

Women Aren't Funny (2014), leaving Netflix just before the release of Ghostbusters. Coincidence? You would think that, sheep person.

Trump thinks Capricorn One was a documentary.

Green Room was the first time I'd noticed him. He did quite well with a tonally tricky character in that.

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