I love Who Am I?, or at least I remember loving it, man now I don't want to rewatch it in case it's not as good. Is Rumble in the Bronx still good?
I love Who Am I?, or at least I remember loving it, man now I don't want to rewatch it in case it's not as good. Is Rumble in the Bronx still good?
He's the one that started talking about penises, Bizarro Rapeylicious
They have a words requirement to fulfill or they lose office vending machine privileges
I did not know this was a thing until now, I never thought Goodman was that awkward (not only this but that bit about the Monument's Men), it's odd to think of him like that
This is great news for Xerox
You should read the non-canonical gospels, there's a part were he terrorizes the people with some lions, and one where he raises a kid from the dead so he can tell everyone that Jesus didn't kill him. It's great stuff
although the existential quandaries posed by “Chihuahua or blueberry muffin?” and “Sheepdog or mop?” are weirdly perfect metaphors for the times.
Conquest is the one you play as Sexy Generic European Empire + Captain America
I'll be playing the Bravely Second demo and a turn based marriage simulator aka Fire Emblem Fates: Conquest
Squeaky, uh, squeak squeaker squeakin'
I know, my point was that she already toughen up from the get go (from her first escape attempt with the crutch/shank) so that "decision" at the end was pointless
They did reboot the games so I'm guessing it might be based on those. I hope they keep the gruesome deaths
As a 90's teenager, I just hate everything
This one was just so good, up until they remembered that it was supposed to have monsters
I was on board with Goodman being both crazy and right, but it's just the way they executed the ending was too jarring. From the moment they showed the lady trying to get into the bunker you know the threat was real, but they should have just showed her running away uncertain of what's out there. One of the…
Now I want to see that instead
Goodman keeps us (and the characters) guessing throughout, with a vital assist from Whiplash mastermind Damien Chazelle, who co-wrote the screenplay with Josh Campbell and Matthew Stuecken and who knows a thing or two about building suspense from the motives of a hard-ass authority figure.
I can spoil it if you want, I just saw it last night
Nobody can top American Dad's Left Behind, they should just stop trying
I have nothing to add here, except that this is the first time I see a pun name based of Monster, good job @johanliebertarian:disqus