Whoa whoa whoa, hold up there Mr. Macaroni.

Apart from the aforementioned, "Road Movie to Berlin", "Twisting, "I've Got a Match", "New York City", "Nothing's Gonna Change My Clothes", "Snowball in Hell", and "Weep Day" are all just incredible pop songs.

I'll see your "Nightgown of the Sullen Moon" and raise you one "I'll Sink Manhattan".

For the Good Times
A very moving album, but what especially floors me is his interpretation of Kris Kristofferson's "For the Good Times", which is one of two songs on Kristofferson's (brilliant) first album that are essentially about begging someone who just dumped him for sex. Listen to Kristofferson's version and…

Yeah, that's a good point. There is a lot of ambiguity there, especially with regards to Patricia Clarkson's character. I left the film feeling very uneasy.

Ok, guys, calm down. Saw it last night and yes, the twist is silly and predictable and broadcasted, but I'm pretty sure the Scorcese knows that too. The interesting thing is what he does with it. The AV Club's comparisons to Sam Fuller and The Shining are spot-on. "A David Lynch Hardy Boys movie" sounds about right…

From one of Minaj's mixtapes:
'He say my pussy pretty/ just like it's show art/ He make my pussy sing/ "aaaaaa" like it's Mozart/ And when he taps it/ I make my pussy fart/ I'm such an actress/ Melissa Joan Hart'