You mean you made me sleep with your dad so you can get back at your wheelchair-bound mom?! Girl, you are such a B——! I don't know if I can EVER trust you again!
You mean you made me sleep with your dad so you can get back at your wheelchair-bound mom?! Girl, you are such a B——! I don't know if I can EVER trust you again!
Bullets Over Broadway…wait
Supremacy has a fan-fucking-tastic final stunt to close out the chase. But otherwise, yeah too shaky.
This is in keeping with how another Jody Hill movie ends. I honestly wouldn't be surprised if that was the intent.
Ooooh, tough call on which one's more awesome. It really comes down to whether you want a movie that respects your intelligence, or one that respects your thirst for fucking kick-ass fight scenes.
I just saw CiTW, and I flat-out loved it. Not even remotely a Whedonite.
The Ring remake was the shit. Better than the original. I haven't been in an audience as emotionally riled up and scared shitless as the one for "The Ring," during its last 15 minutes.
A friend of mine perfectly summed up this movie in one word: "Unacceptable."
Hunger Games has easily, easily, easily got the top spot again this weekend.
I think Leo, of all people, actually comes out on top on this one (I saw it again too, for the first time since '97). He gets what's required of him with the whole "teen idol, starry-eyed kid from the wrong side of the tracks" role and basically sticks the landing. None of this would have worked if teen girls and…
He's the sneering, malevolent villain who also directed "Atlas Shrugged" and shows up as John Galt.
Oh hush man-in-the-moon-man, you just want more movies to take place on the moon. The tax incentives just aren't as good. And did you see Apollo 18? Yeah. At least John Carter was attempting to have some fun.
Here's why we need Airbourne: AC/DC does in fact continue to put out new music, but Brian Johnson's voice is gone and now he can only growl out the blues. The guy in Airbourne can fucking scream for days. They hit that "stupid pleasure center" Hyden's talking about with fairly remarkable consistency.
Or Steve Winwood's "Gimme Some Lovin'"
or Hall & Oates' "You Make My Dreams Come True"
or The Black Keys' "Howlin' For You"
or…
It's one helluva intro, but I still think Mad Men takes the cake. The art design, the movement, and those killer fucking drums - and it's a perfect intro to what the show's about.
I didn't get the Scarface one.
I just love how each pay cable channel is worse than the one preceded by it. HBO, Showtime, Starz, and now REELZ@!!#
Let's B Friends.
Pretty much the only 20th century dude fit to hold Roosevelt's jock was Churchill.
1.21 Jigglewatts!