They made a very slight move towards the genuinely interesting when they implied in the pilot that the priesthood was how male witches got organized and avoided getting burned. It'd be pretty historically accurate for all the male witches to be like "well fuck those bitches anyways, they should be brewing my dinner in…

I think Abbie should give him a copy of Forrest Gump.

In context, Abbie was rephrasing a concept he'd just outlined. It's like those definitions on Urban Dictionary where the contributor can't think of any way to use the term in a sentence without just defining the term again.

On his eidetic memory, even, according to this episode.

A few thoughts:

@persia2:disqus I think I'd be more amused by Evans dealing with meddlin' kids than Evans-as-Cap dealing with meddlin' kids. Evans-as-Evans would be able to constantly insist that he was totally cool, like, less than ten years ago. "Come on, guys! I was in Scott Pilgrim! 8-bit! Retro! Nintendo! Michael Cera! He was on…

Hall was caught in a weird position in that movie. For the most part, his character, and his performance, deserve to be thought of as a slice of that movie's truly awesome and consistent worldbuilding. Unfortunately he was also the primary antagonist for the main plot, which was utter shit, through and through.

The original grudge was just his pride talking, but Elliot and Gretchen just sandbagged him on national television.

I'm a big fan of the word 'politesse.' I think we should try to make it happen.

The whole cast was outrageously overqualified for network television, but the writers didn't really do them justice. There were a few episodes here and there that were crisp and clean and let the actors show off just how talented they were - like, say, the first Red episode dedicated to Fringe Division - but usually…

I would watch this if it were hardcore pornography. I imagine more Young Adults would too.

After one minute and six seconds of this video, I am ashamed that I ever liked any music, ever.

Her handlers deserve some credit for keeping her off Lohan Road thus far, but when the day finally comes when she's not cute anymore, shit is going to get real ugly.

Somewhere, Tina Fey is reading a fortune cookie that says "imitation is the sincerest form of flattery… unless you're a satirist."

If "what she does" is defined as "what she's told," I guess it'd be pretty difficult to ever prove that she's not doing that.

When they're attractive.

I have to give the writers credit; I was actually incredibly surprised that Skylar didn't punk out like a bitch when Hank initially gave her the out. But Hank and Marie's colossal missteps in handling her really sold me on her final decision.

@rawbun:disqus I was thinking that was a message from someone other than the DEA who's tagged Walt - like, say, people who are putting the squeeze on poor Lydia. Whether they figure it out because of the DEA or independently is another matter. Lydia seems like she might be in the mood to spill her trade secrets in…

You know, I almost would've believed that that was something Masuka would do, except for that whole part where the writers had him go to Deb explicitly for the purpose of making sure he wasn't going to get ripped off.

So what's the logical extension of a white guy saving a bunch of blue guys? A blue guy saving a bunch of black guys? Or do we need other colors in there first, so that saving the black guys can be the plot of the fourth movie?