That sounds like something a character on Dexter might verbalize.

Since she's an American citizen on American soil they'd probably at least have the decency to charge her with a crime. Unless, you know, something happens to them to make them feel less charitable, like a bad cup of coffee, or heavy traffic.

I think Colin Hanks can only "act" when he's "acting" like Tom Hanks in Real Life. His performance was so much better this week in any scene where he didn't have to be all weird. So, in like 1.5 scenes, essentially.

Not that I can immediately recall; Dexter is like the parole board. Penitence is your best bet; claiming innocence and continuing to be a murdering asshole are both about equally effective.

McPickleshitter has successfully seen through the Matrix. When it comes to the really amusing mental illnesses, weird voices are film and television gold, Jerry.

People killing each other over a lucrative and illegal endeavor in a non-urban area? POSH, I say, preceded by PISH.

Keep this up and you'll make detective…

That's a good catch about the machine, Shan. While there are other tortured explanations out there for how the exact same machine could exist in two dimensions, your branching-off explanation seems the simplest.

In my home state, and in several others, a person can be convicted of rape based on the testimony of a single witness with no other corroborating evidence. That's the standard under the law; a jury of course always has the option of refusing to find the person guilty.

John Noble kicks all kinds of ass, but I can't think of a regular or recurring on this show who isn't solid. And I really wish the writers would let them do their work with just a bit less exposition. They need to recognize that they have a cast capable of transmitting tons of information without speaking, and play…

The big unanswered question is whether Red and Blue were already a pair in some way before Bell and Bishop first developed the technology to peer through to the other side. If so, it would certainly provide an answer to the question of "why did Red show up onscreen, and not any one of the other infinite…

I think it's smart. I like it. Makes the episode a lot darker, too.

The Peter time jumps are not related to the device, but the device's sudden functionality is, possibly, related to Peter.

In my opinion, Fillion is winning on a technicality, albeit an impressive one: he's managing to make a weekly, hourlong, mediocre-to-crappy show watchable, without burning through any of his accumulated goodwill. That dude is goofy teflon.

Somebody needs to send that poor bastard a Garfunkel & Oates e-card, because evil principal is never going to have sex with him. The sooner he realizes that, the sooner we can murder/suicide our way out of these lame-ass Boris & Natasha clones.

You know, it's a damn shame about Dekker; I really enjoyed some of his work on The Sarah Connor Chronicles. He just can't catch a break in this series.

Unfortunately that's a pre-binding example, and the show has hammered home repeatedly that pre-binding magic - once six witches all get in close proximity, at least - is powerful but difficult to control.

Eh, it's looking like Mom of Dumbass was neck-deep in the shitstorm that killed a whole bunch of spouses and friends. I'm not surprised Creepydad didn't torture himself over her murder; in his mind, and in the minds of many of the survivors, bitch had it coming. Of all the people that should've died in that…

Well, that did it; I'm aroused.

They're ball hogs.