I feel like it could have used a little bit more work than just swapping the original audio for "Disasterpiece." Like keep the dogs barks in, have the music drop out when the people near the door, etc.
I feel like it could have used a little bit more work than just swapping the original audio for "Disasterpiece." Like keep the dogs barks in, have the music drop out when the people near the door, etc.
It depresses me how much "The End of the Tour" has been forgotten by critics. It's too bad it was too low-key and released at a weird, pre-Oscars season to be in their memory.
I believe you're thinking of Sandra Bullock.
That rule apparently does not apply to Katherine Heigl.
I CREAAAAAAATE
Agreed!
Yea, the non-stop hate it got had me questioning if I saw the same movie. I thought "Genesys" was just kind of good, stupid fun and nothing more.
The video they posted isn't even the official version, not does it contain any of the rappers featured on the official one.
Mostly. Their last album proved that they might be running out of gas.
Remember when 2 liter bottles had that weird plastic color thing on the bottom? Also, when wide-mouth cans were something special and not the norm? Crazy times, man!
Been there, bro.
The Arch Deluxe was fucking awesome!
My guess is the rights to "Whoomp There It Is" are probably dirt cheap, whereas the licensing for a Van Halen is probably a bit more pricey than it was in '92.
"Christmas In Harlem" really is a great song and like the author says, it's kind of fun to hear artists like Pusha T give up the coke raps for a moment and talk about turning their Jeeps into snowmobiles (and for once, snow isn't cocaine.)
I think it's because of the one-hit wonder stigma surrounding her. By no means do I think she's hurting. She's been on Broadway, is going to be on that Fox "Grease Live!" and will do well in smaller circles, like Robyn has done.
God, I love that Wolf Alice album so much.
I loved "Kaleidoscope Dream" and there are some amazing singles on "Wildheart," but there's something about it that was just a little off. Maybe it's the inclusion of "What's Normal Anyways" that just breaks up the flow for me because it's so topically different than the rest of the album.
Earl Sweatshirt is one of those artists that I get why people like it(moody, dark hip-hop), but even as a lover of moodier music, I can't get into it for the life of me.
He's a solid artist. Definitely worth a listen,
CRJ's album is great pop, though. I wouldn't begrudge them if they did.