Not like it'll matter much. By the time that movie hits theaters, all the studios may likely be digital only. Outside of repertory screenings in a few specially equipped venues, celluloid as an exhibition medium is dead.
Not like it'll matter much. By the time that movie hits theaters, all the studios may likely be digital only. Outside of repertory screenings in a few specially equipped venues, celluloid as an exhibition medium is dead.
Yeah, and that's a terrible shame. It is said that "creativity is problem solving," and Star Wars is exhibit 1 of why this wisdom holds true. The first Star Wars film was monumentally troubled and fraught with anxieties, yet those issues were overcome and a marvelous film was made.
Yeah number 1 breaks my heart too, because the boy's fate is so underserved, because he's so good, and his father does everything right.
And that raises a whole other point, namely, why can't these filmmakers grow some balls? The Technicolor camera was so fucking huge and noisy, that the only way they could make it work with sound recording was put it in an even more fucking huge sound blimp, so that the whole thing weight half a ton. Yet my GOD the…
Film IS Imax…Imax is just a different gauge and size of film medium.
Yeah it pretty much hits rock bottom around Decalogue V and the story of the murderer sentenced to death. That's some bleakness right there.
I wonder why the Nazi's never went after the five Sankara stones?
The Japanese seemed concerned more and more with devices that would kill as many of their own soldiers as possible. Case in point: The Yamato, the most absurdly huge-ass battleship ever built, and ultimate sent on a suicide mission to Okinawa, All but two hundred or so of a 3,300 man crew went down with the ship. …
Well that and you shouldn't entrust the grail to a butterfingered Austrian.
Maybe someone went off their seven percent solution?
[Whispers] I'm doin' you a favor…
Not to mention it's their fault for preventing all the other films and books about twenty somethings yearning to find themselves from finding distribution or publication. But I can't say too much, as the class action is still pending….
Oh my god the Polish-American Anti-Defamation League has disbanded!
Now I don't have facts or figures or anything to demonstrate this is more than post hoc ergo propter hoc fallacy on my part, but I'm gonna just go ahead and blame "Girls" for this decline.
Thanks for mentioning something, I forgot all about these awards. For what it's worth I didn't get the CotY nom either, but wasn't really expecting it. But I did get a nom for best post-dramatic, which I must say is one of the biggest damn compliments I've ever received.
They couldn't just compromise and go with "Alone, Yet Not Alone"?
My 25th birthday was scary as hell….It was May, 2009, and I was days away from graduating with my Master's, with no job waiting for me, about to enter the worst job market since the Great Depression. I managed to get an internship at a production company that paid a little, but was laid off in the fall. And to add to…
This revelation makes the fact that Poland also produced Krzysztof Kieślowski seem all the more miraculous.
Hear, hear. He had the financing in place, but through kickstarter, there is no accountability as far as repaying investors.
Even odds this movie's title credits are handwritten quirky looking ones.