The showrunners are pretty aware of fan theories and I'm pretty sure they're just toying with the audience right now. This show isn't that dark… rewatching would be pretty upsetting if we learned that Ted and the Mother only got a decade together. It's a sitcom about love and fate and frienship, I just really hope…

Though I agree that Apple has always been all about dumbing things down, Jobs was a major proponent of skeuomorphism. He would've been completely against the flat design movement.

I know I'm actively fighting a design trend that has only just started to take off, but this white, flat, large text, sans-serif, touchscreen-based, photos-instead-of-text, icons-instead-of-bars thing makes me soul bleed. I mourn for functionality. I blame Windows 8, and cancer for killing Steve Jobs. Remember the…

"I don't want these."

YOUR MOTHER AND I ARE SEPARATING

I love how the premise is identical to the also spectacular and groundbreaking "Men At Work"

I'm kind of in awe of this grade. I couldn't think of a worse way for Cece to call off the wedding. I wanted her to go through with it, or at least, do something that isn't like every other show that has ever existed. Oh god, and the badger stuff was painful to watch. Why can't Cece/Schmidt just end already? If you go…

This show would be better if it decided to be anything. At this point, I don't even care what that is. I've been watching the show out of loyalty to Kaling, but it's painful how many directions it tries to take.

Elizabeth is such a great character and I'm not looking forward to the day she and Schmidt end because Schmidt/Cece needs to happen for some reason. All this wedding stuff has seemed so pointless because there's no chance Cece will actually go through with it.

Were they in an entirely new office? Am I missing something here? It's weird how attached I was to the the other one… things just felt off because I couldn't orient myself and the hallways/rooms were smaller.

I was waiting for Richter's character to be revealed as some psychopath and was pleasantly surprised when they went for a sweet ending. SOMETIMES I JUST WANT TO LAUGH AT JOKES AND WATCH PEOPLE BE HAPPY!!!!!

Anyone else feel like there were too many callbacks for one episode? It would've felt more natural if this had established itself as a show that frequently does that, but it doesn't, at least not to this degree. It felt kind of gimmicky. I'm sure this show will get better before it gets worse, but a lot about this…

I liked the show, despite Amy being an incredibly frustrating protagonist (but for some reason I have no problem tolerating Hannah Horvath?). The end of season two really felt like a series finale, though. Another season would've been excessive and probably would've deviated from the show's themes without the…

I can't decide if Barney has become more disgusting throughout the run of the show or if I've stopped tolerating shit like that over the last eight years. I can't really fathom a time where I would've thought "Ho-B-Gone" was funny, though. And jesus, I guess everyone over at HIMYM just really hates overweight women,…

I love that "I was on welfare and food stamps and no one ever helped me!" was used practically verbatim, because it was so ridiculous that it didn't need to be changed to be a joke.

Though if they had really done their Indiana homework, they'd know that there's no vet school in Bloomington.

This was probably my favorite episode this show has done so far. I don't mind low-stakes drama over the ridiculous shit CW usually pulls. Stuff like this is actually reminiscent of my own teenage years, and Carrie, Maggie, and Mouse are such strong, likable, mature characters.

I cried. I cried like a big dumb homo.

Haven't watched the episode yet but is there any way this can be worse than "Competitive Wine Tasting?" That affront to comedy somehow pulled off a B-.

After the genius that was New Girl, this episode just seemed horribly, horribly unfunny.