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kurtwallander
avclub-6955b00909f6ca193225b774b892a906--disqus

Hi doggie

Anyway, how is your sex life?

Today's her birthday, actually! Happy Birthday, Bridget!

"I said okay, Louis."

"I work for you two days, you pay me two hundred and…seventeen dollars."

"Whoops!"

It'll probably get some mention when the 1997 article comes around.

You dare to have unkind words for Face/Off.

Probably because he made it around the same time as Regarding Henry, a forgettable piece of schmaltz (written by J.J. Abrams, no less!) that also had him playing a lawyer - albeit for about five minutes.

Oh man, Point of No Return. Absolute trash when compared to the movie that inspired it (Besson's La Femme Nikita), but Bridget Fonda holds it all together.

I kind of prefer Jean-Claude Van Damme movies where he actually has to, you know, ACT, but in terms of sheer badassery Hard Target is his greatest work, hands down. I love how powerful just about every gun in the movie sounds. I love how ridiculous that motorcycle surfing bit is. And Jean-Claude Van Damme has never…

***SPOILERS***

No 2012 love for Dredd? It's not an especially great movie, but at least it embraces its over-the-top insanity. Act of Valor is good, but takes itself way too seriously.

This and when Sarah's roommate and her boyfriend get killed. They're probably the most slasher-esque scenes in the film.

"Wow, an actual house. I was thinking a cave with..skulls and shit."

There's some pretty good stuff in iMDB's FAQ page about T2 where they discuss why the T-1000 doesn't just fuck everybody up in the first half hour.

"The Day After" back in '83 was supposed to be pretty intense.

I have detailed files.

As Ebert referred to it, the Brother Always Dies First (BADF) rule. Read his review of "The Edge" for a good example.

These are my thoughts exactly, on both T2 and Cameron's career in general.