I think "Legs" was a funnier episode, but I think that this was a better one overall. For one, it really brings Cheryl's deteriorating mental state to a conflict point. And Jon Hamm just shut up everyone who said that Captain Murphy's old voice actor was irreplaceable.

I want to be murdered.

It's refreshing to see that even Archer is not above an episode-ending fart joke,

This episode was hilarious, and the cliffhangers it provided will surely give the rest of the episodes this seasons a boost as they become more apparent. But after it was done, it dawned on me as to why this season is a little off (besides the character devolution of Katya- I defy you to find an Archer fan who thinks…

This episode was excellent, but I'm gonna disagree with you on a couple of your gripes. First of all, I look at Casteau's end-of-episode treachery not as an opportunity for Barry and Katya to "do things," but as a return to the "one-episode character backstabs ISIS in the end" moments that were missing in Season 3. In…

Remember when every R-rated comedy wasn't about people getting blackout drunk?

You know what the problem with this season is? NOT ENOUGH PAM.

Disney Channel has no idea how to handle ANY of its hit shows, not just Gravity Falls. Phineas and Ferb is one of the most popular kids' shows on TV today, and even its new episodes can't escape being shuttled around the schedule on a given week. If Gravity Falls gains popularity, I'm not holding my breath that it…

I'm so glad that I'm not the only one who thought of this.

I hate Reddit, but this is pretty damn cool. If I had the ingredients, I'd make a Bloody Mary before every episode and do the "Bloody Mary, full of vodka…" prayer from that one Season 3 episode.

Ju-luau HAD to have been a name that Archer came up with, in the same vein as Stir-Friday.

Fuck the whole "gay panic" thing, that was a great episode. I say that mainly because it was less heavy on the callbacks than the season premiere. Maybe heavy callbacks works for TV dramas, but I'm not sure we're at the point where it can apply to comedies yet.

Both bands are headed by Ph.D's, but the comparison ends there. I'd pay good money to see Dexter Holland break up The Offspring and go on the tenure track at UCLA so he can shoot the shit with Greg Graffin.

I like the fact that only one song on True North goes over 3 minutes, and that song just so happens to be the weakest on the album. This is easily their best work since Process of Belief (the more I listen to Empire Strikes First, the less I like it) and could be even better than that, I haven't decided.

I will always think of Chief Keef as the guy who posted a bestiality pic on Instagram.

All of those who are disappointed in not hearing Bob's kids speak, we're getting Eugene Mirman and Kirsten Schall in the two-part season finale, so we'll be hearing them soon enough.

"You might find yourself contemplating your own distant youth and wasted potential while watching the guy from Smash Mouth eat a crepe."

The Christmas episode with Mr. Nguyen's lost daughter is a real tearjerker.

Rocko's Modern Life is even sneakier about its adult-oriented humor than Ren & Stimpy (although there was a rather obvious phone sex gag in an early episode). It also showed more versatility in its humor that kids don't get- they even had a dig at L. Ron Hubbard in a later episode.

Hey Arnold! came on at the butt end of my Nickelodeon-watching days- I saw the first season and that's it. I started watching it again on Netflix and I was instantly hooked- it's just a magical show. I'm a sucker for the jazz soundtrack as well.