avclub-651468b37f95f5f421cccbf8fb7ee376--disqus
Curly Jefferson
avclub-651468b37f95f5f421cccbf8fb7ee376--disqus

I'll never understand where they gained the confidence to go into a weak bit in the middle of a conversation with an actually interesting interviewee. It's not like a show where you just get whoever as a guest, Hardwick seems to make a point of hunting these guests down, and yet doesn't always afford them much

I told him one time on twitter that since he enjoys slagging on Tennessee so much, he owes it to the state to go back and do some shows. He blocked me. Good times.

They hold tools and shit.

Can I get some love for Get the mother fuckin Picture in here (another Mike O'Malley gem)? Also, Think Fast! and Finders Keepers were gameshows as well.

If only that type of behavior were limited to the South.

Considering their marriage is the product of an affair, I'm not sure she's throwing stones…

Yep. Not one dead body got humped.

I knew a guy in high school who told me about a "little underground film" he watched called Reservoir Dogs.

Like I said—not evil, just conniving and desperate. What exactly disappointed you about it?

I never liked Malcolm but I love The Middle. Besides the reasons listed by @avclub-c98389ee0e2ffdf95aee68056eca9a37:disqus, The Middle isn't nearly as cartoonish in style as Malcolm.

I think you tend to find this with people who struggled for a long time to make it, toiling away in bit parts and pilots. When they finally do make it, they're happier to have a regular gig than they are to finally be recognized on the street. They also probably know how fleeting success in Hollywood is and don't get

I like Sarah Chalke's better parts. Eh? EH?

It wasn't good but worst ever? It had a couple of decent laughs, mostly featuring Lucy Punch. If that's as bad as it gets, you're in good shape. I once paid to see Lucky Numbers. Turns out you can get PTSD from a Nora Ephron crime comedy.

I'm just glad other people besides me have seen The Underneath. I've seen all of his films save for King of the Hill, Kafka, Che, Good German and the Spalding Gray films. Luckily Che and King of the Hill are both on Netflix IW so I will be checking them out soon, and Kafka is on Youtube. Will be diving into your

Agree that that's lame of PFT. I guess on the surface it might just look like they corralled a bunch of comedians (which they kinda did), but like Scrawler said, there's a method to the madness. The whole idea was to play the events straight forward and not comedic, but pepper the cast with comedians so the humor

I had a friend who kept posting about The Dear Hunter coming to town on Facebook and I thought they were just misspelling Deerhunter. Really glad I didn't tag along with them to the show.

I loved the movie but this was my main criticism, too. I would have appreciated an end scene where she comes back and apologizes and he tells her to fuck off.

I think that's the difference between a Hitchcock movie (which Side Effects is) and a Brian De Palma movie. This ending struck me as more Hitchcock, while De Palma would have let the lesbians get away with it or at least have doomed Law to something awful.

I didn't read it as evil gays. I thought Mara's character was just a selfish bitch out for herself. She was willing to hitch her wagon to any money train to get back to her life. She turned on CZJ so fast you can imagine she might have eventually killed her too had the need arose. She was likely a sociopath who used

Rooney has a sexiness about her but I thought what made her perfect for the role is that she can also play mousy and girlfriendy. Like, she's hot but more real girl hot than movie star hot. Blake Lively was originally cast in the part, which wouldn't have worked at all, but may have ratcheted up the sexual tension