Royal Pains is the "solid" one. Switched At Birth is the "very good."

Thanks!

I watched that scene three times and kept hearing "Colt." Is "Cope" confirmed anywhere? (Like the closed-captioning?) If so, I'll rewrite that paragraph.

It's weird to think that I reviewed LOVELESS when it came out (for my college newspaper). Long strange trip, whatnot.

Oh, you don't need to sell me on the MANNIX theme: http://www.avclub.com/artic…

Check that penultimate paragraph, McGone; I cited that very subtitle, which is indeed pretty cheeky.

Oh I love Mission: Impossible. I'm going to do a TV Club 10 on it in April. Been gorging on episodes in preparation.

I thought the same thing, but it was listed in multiple places as "The," and since the TV Club editors put it as "The," I stuck with that. Checking the official FX site though just now, it appears that "this" is correct. So I'll see about getting it changed.

I did too. But there was a meaning underneath it too, I felt.

Hey commenter:

You are partially correct. The sound-directly-on-film technology did exist prior to The Jazz Singer; Warner Bros though was fully invested in the Vitaphone process, and that's what they used for The Jazz Singer.

"Goin' up and ovah, ovah the briiii-iiidge!"

Appreciate it, both of you.

Thank you all much.

There's probably a way they could've done that without spending a whole episode, but I agree it fits with FRINGE for Michael to be playing the angles, longterm.

Different timeline. All is forgotten.

Shoot. Writing too fast. Will fix.

Review's done. Should be up in about 15 minutes.

Yes, please note. Also, I don't have a screener, so I'll be watching along with you other FRINGE fans, and then writing the review, which will probably take a while. I believe we're planning to put up a place-holder post so you can guys can start commenting as soon as the episode is over, while I'm busy writing.

Thank you, yes, Beth Grant. FX didn't include her in the press materials they sent with the JUSTIFIED screener and it'd been killing me trying to remember where I'd seen her.