Really, really think Brad Bird has had enough success, and is talented enough, that he can pick and choose his projects thinking about more than how much money he will make.

Dark and earned.

I think it's pretty easy to draw the distinction. Pixar is a different kettle of fish.

Hilarious that you define these people, and what activities they should do, by their age.

Sure. No one here has envy. Just miss the whole forest for that tree.

I remember when I saw Clifford at Threadgill's the night after he was released from jail. That must've been 10 years ago at least.

I thought that it might have been a small reference to her role in Killer Joe, though I was glad she wasn't assaulted with any food here.

She was in that but I really think it was the Oscar nom for Junebug and her role in Enchanted that pushed her into a lot of people's view.

The saddest scenario is that you can't submerge your raging jealousy of these people's fun times, and your weird hang-up with their ages.

More than a bit reckless to suggest Drozd is the sole reason The Terror is good.

Yes, you can tell Hugo and Shutter Island are Marty without knowing it beforehand. It's obvious within the first few cuts, really.

Other than this film I think Darjeeling is his best.

I think this is the best movie Wes Anderson has ever made.

I've seen that stand-up routine, too, but his continued whinging after she leaves the room, as well as his general tone, pushes it from "parenting is hard" to "he's using parenting language, but actually just taking out annoyance on his daughter."

Where did I say they were saints? Where did I say Louie was a monster? Just because you identify with him doesn't mean you have to be blind to his serious flaws in that episode.

"My image!"

I like that episode.

It wasn't just that. Look at how he treats the people at the retail store. He ends the episode by running away from his father. Yes, he wanted his daughter to "do her homework," but what he really wanted her to do was go be quiet somewhere. You have to read the words behind the dialogue.

That blonde look is iconic, though. At least that's what I thought.

Also in Wolf we have DiCaprio not being able to hold out for long during first intercourse with Margot Robbie. That was unconventional.