avclub-6307a12d5c9e2fb5f23518a9a0ee8dd1--disqus
Evil Lincoln
avclub-6307a12d5c9e2fb5f23518a9a0ee8dd1--disqus

"Bitch is the new Black" would be a good name for a show.

1) Sarah as the German (yes, those boots WERE made for walkin'), 2) Sarah as Beth, 3) Cosima

Dub-Dub and Sarah-as-Beth, fighting crime, searching for their absent fathers, and being sexy and funny.

The scene of Helena rave dancing while holding Jamm's severed penis will be the highlight of his appearances on the show.

She is supposed to be in grad school in Bloomington I am pretty sure she said in her last (to date) appearance.

That would be amazing.

Natalie Morales (who I absolutely love mostly from The Middleman) was good with Tom I thought—it made far more sense than Tom-Ann or Tom-Jean Ralphio's sister. There was more of a balance with her somewhat dominating but being amused by him.

Maybe she will be more like the early "punk rock ho" Sarah.

Man would I like to castrate Skip Bayless.

I worked in a mill one summer when I was in college and a guy lost a finger in a bandsaw accident (which happened frequently of course). It apparently fell into a big oil drum filled with sawdust. A guy who was first day on the job got assigned to go through the sawdust and find the finger to try to reattach it. He

I sincerely hope that his funeral features Timothy Olyphant and Walton Scoggins firing their guns in the air and screaming a/la Bad Boys 2 and Hot Fuzz.

Yeah really about all Rizzoli and Isles has going for it is the cast and their chemistry, most obviously with the two leads but McGill and Thompson worked together very nicely I thought, and also Thompson with the actor who plays Angie Harmon's brother who was sort of his friend and rival.

Very sad and hard to comprehend, though like I suppose most I have had thoughts of self-harm during hard times and had loved ones who did as well who I worried and worry about.

Sharon Gless is great but I think it would have been an equally interesting show with Meg Foster and her freaky eyes and aggressive creepiness.

But really almost anything would be more fun if you imagine Peter Lorre saying it.

Both of those Randolph Scott movies are great. His part in Ride the High Country is particularly tricky and I think he really pulls it off as the bitter ex-hero, sort of a standard western-type role but he makes it something unique.

With regard to the "how the hell did he have a granddaughter" issue, a lot of what's been written about the Time Lords (albeit of questionable canonicity) suggests they can't reproduce sexually:
http://tardis.wikia.com/wik…

Obviously it is one of those things, they were trying to get the show off the ground and figure out what worked and Susan/ Carole Ann Ford somehow didn't quite, so they moved on. And maybe it was in the best interests of the show at the time—but fifty years later it still casts this huge shadow of WTF over the

And conversely Susan just keeps being a disappointment both in conception and execution. I can't decide if they should have given her more to do, or if they were right to cut their losses early on, though as Christopher suggests in the recap even that was done in a poorly thought out way.

Glad to hear that Face of Evil and Horror of Fang Rock are on the agenda. I have revisisted both recently and think they hold up quite well, as does Louise Jameson's performance as Leela (and Tom Baker's as Four, of course).