I thought the same thing, and I've come to think of it a couple ways. Not everything has meaning beyond what you're seeing. Some things just are. Like Rust thought earlier on, we're just meat, nothing matters, nothing means anything. And second, while these guys were chasing the case, life was happening all around…

Did they ever explain why the police never held a press conference to ask for help identifying a person with facial scars?

It was a mystery. It seems like you wanted it to be like The 6th Sense or some surprise twist that turned everything before it into a cleverly devised puzzle. This was grounded in reality and as much about the journey of the characters and the themes and the challenges to belief as it was about whodunnit.

I don’t think that's true at all. It may have cured him of his self-centered nihilism; finally allowing himself to let the universe be beyond his imagining. To me it had nothing to do with God.

Each to their own. Endings are tough because they force the viewer to stop wondering, and it's the wonderment, the unknown, the imagination, that elevates the experience of watching a show. The end ends your ideas of what could be.

Was it just me or did he look a hell of a lot like Jesus when looking at his reflection in the hospital window. I don't think he found religion or Jesus or God, but there were definitely religious tones through the whole show. Maybe he was like an atheist christ figure, nearly giving his life for the children. That's…

Definitely felt like Lydia was doing an impression of Jesse Eisenberg doing Mark Zuckerberg.

Definitely felt like Lydia was doing an impression of Jesse Eisenberg doing Mark Zuckerberg.