avclub-5de53e211da9a55194f63cc252a72c29--disqus
Lux was fourteen
avclub-5de53e211da9a55194f63cc252a72c29--disqus

as a twenty something woman, allow me to explain: we women dislike her for the same reason some men hate Bradley Cooper: we feel there's a smugness to her personality. We also pick up on an over earnestness that is off putting. Us gals are more overtly sensitive to social cues than you guys are, and weird social

most of the callers aren't naturally good conversationalists so don't have anything to bring to the table apart from the Food Test which doesn't require them to do anything except list as many food items they can think of

agreed. Daisy's a fucking bitch, not a sweet snowflake angel

Raimi's Drag Me To Hell has a great female protagonist

i really want Drag Me To Hell to get the same cult classic reverence that Evil Dead does. it's the perfect midnight movie and was very well reviewed when it came out but it's kind of disappeared since then

@avclub-12a6b31534819f646bd9bf5e8a99756d:disqus i've always preferred the original as well. Is it because Ash is so much more bad ass in the second one that it gets more love? Bruce Campbell is great but the first one to me feels more of a complete whole, while ED2 is a bunch of really great stuff in singular pieces

one of my favourite parts of the original Evil Dead is when the characters are playing cards, and the girl on the other side of the room starts spookily chanting the suits as they're drawn

He did the same re evaluation with The Shining. it's natural that your opinions on movies can change and re evaluation seems a sensible thing to do

this is one of my favourite scenes from The Muppet Movie. i love the idea of Rowlf at home in his shitty bachelor pad, piano in the corner, reading Hemingway and drinking beer

it's never established why he lands these hot pieces in these movies, apart from being a Kool Dood and the only male character in his movies without an affected accent or physical deformity. and he'll kick everyone's ass in this room for calling him a fag because that's what makes you a man

the rest of this Jeopardy episode features a young Kirsten Dunst failing miserably (when presented with a multiple choice question about mars, Jupiter or saturn, she answers "Pluto") and the boy child aka Shmooey from The Nanny

that was my favourite panel too

the song Men's Needs is so insanely catchy… that guitar riff, the way he sings "I've never been impressed by your friends from New York and LON-DON"

he's great in Bill and ted and Parenthood. and i don't necessarily think that's just him being himself.

it's very ungritty which is unusual for an Aussie film but it's a bit of a crowd pleaser, and the movie really comes to life when the girls sing.

thanks for the story @avclub-6aca1a1659edc2d96cabe628f44d0f7e:disqus i love candid behind the scenes stuff. and like someone above said, Romy and Michele was really under rated

@avclub-f62296b9393b6ab9229ebde91ed8469f:disqus  that could be true too. I always thought that WAS the White Lodge at the end of FWWM - the Red Room and the Black Lodge are identical, so maybe it's more what it means to you depending on whether you're essentially a good soul or an evil soul.

Oh ok. Having it set in present time also doesn't help me with the confusion either. Psycho (the original… haven't seen or read anything but that) has such an open ended mythology, it's not like it would have been difficult to nail down the few key elements for the sake of consistency.

Wasn't Marion the one from Arizona? She's headed for Bakersfield when she reaches the Bates Motel

Big Trouble in Little China is one of my favourite movies, but purely because of the people involved and because it's such a product of its time. John carpenter in his most eightiesness, Kurt Russell at his most Kurt Russelly - Martin Scorsese could have made the same thing with Robert DeNiro and i just don't think it