Not sure that the conversation has (or should) be about slavery, but rather the institutionalization of racism in America. That takes the form of slavery in DJANGO, but given the numerous meta references the film makes (hell, there's a whole scene where actors are talking about being actors) it seems much more…

Republicans, right?

I don't watch/like The Daily Show, but I don't find this hard to believe. Like I said, I like him (from what I've heard, haven't seen it performed) in THE BOOK OF MORMON, but really that's it. He still pretty much sucks, I just have built up a spot of tolerance.

Executive produced by DGG AND Tom Brady (not that one), I believe.

I don't really like fake Jonah Hill (in general and in this show), but I've listened to the soundtrack for THE BOOK OF MORMON enough that I find his voice tolerable. And I guess I now find him tolerable. Even though he kind of sucks.

People, people. People. His soul's still dancing.

Ferrell has the bigger name, I guess, but Rogen is the more likely candidate. Ughhughughhughgughhugh.

Mike Myers, great in INGLORIOUS BASTERDS.

Not sure he even had a love interest in that film, was more about Samberg. Closest thing to a love interest (aside from the teacher at the beginning I guess) was the grandma.

To be fair there was that one episode where she was worried about her neighbor or whoever not having sex. Still odd. Also, I doubt the people in the crowd were in middle school or high school or whatever. This show would be better if it was better, but I'll keep watching it for a bit more, I guess.

I liked S2 of Frankenhole more than S1. Think both are good, but not MO Season 3 good, obvs. Going to watch this new show. Still not sure what ADHD (man, is that acronym on purpose?) is (a late-night thing? An online only thing? A summer replacement when FG, Simpsons, etc are off) but it's Dino so I'll check that out.

EDIT: Actually, on second thought, doesn't matter.

EDIT: Actually, on second thought, doesn't matter.

Yeah, I actually think the year MBDTF came out I put the GOOD Friday releases as my second favorite behind only MBDTF. I had "Runaway" as my favorite song of the year, but "Chain Heavy" and "Take One For The Team" were my 2 and 3, I think, on my unabridged Top 10 which was basically all Kanye except like one song.

Hmm, I might have come off as too harsh then, I reckon. I definitely feel like diminished returns is a good way to describe how I felt about those first four albums, but I still really like the majority of LATE REGISTRATION and even a bunch of individual songs on GRADUATION, it's just that LR felt like a step backward…

It used to be easy to track Kanye West. Start with The College Dropout and decline from there. While Late Registration is quite good it is needlessly excessive at certain points and has some lows even if the highs are arguably higher than TCD. Then you have Graduation which is short and, despite having some good…

Man, people really don't like Go On, huh? I think it's pretty good most of the time. I mean nothing great, but still pretty good.

Man, people really don't like Go On, huh? I think it's pretty good most of the time. I mean nothing great, but still pretty good.

Thought that SBC and HBC were great in SWEENEY TODD. Part of that, I'm sure, is Burton's hand though, while Hooper (who has already made one mediocre film and one incredibly poor film) doesn't strike me as the type of person who has the vision or talent to get much more out of an actor than what she or he is already…

Thought that SBC and HBC were great in SWEENEY TODD. Part of that, I'm sure, is Burton's hand though, while Hooper (who has already made one mediocre film and one incredibly poor film) doesn't strike me as the type of person who has the vision or talent to get much more out of an actor than what she or he is already…