Damn, I actually gave someone the finger for real for the first time in years last week (nearly killed me on a crosswalk) and I did the whole tight-fist-middle-finger-extended because that's what I've always done.

Neither did I!

Yuuuuup.

Yeah, I was confused by that line as well.

Ooops. Yeah.

Seriously, Battle of the Year is fucking awesome. It may not be particularly interesting from a cinematographer's perspective (I wouldn't know, being kind of ignorant of all that), but it's just full of balls-out awesome dancing and has some genuinely sympathy for its subjects. Some of the interviews with the Korean…

Horseshit.

Fun? No. Harrowing? Yes. Worth it? Yes.

@avclub-8e3d05b3a02cebcb45d304a5224a6113:disqus Yeah…. that's equally problematic.

@avclub-8f1899cdb606a3c7a0aa80d617eb123b:disqus well, like I said, it's a great book. But it's flawed.

Or, well, because she does comedic films about friendships and relationships that are kind of sitcommy?

Everyone objects to this about Dowd, but I really disagree. He's obviously trying to consider the filmmaker as an artist with a body of work, and the current film as part of that body of work. I don't see why it's somehow better to treat each film as an island.

link please

I also like the idea that Android is somehow simpler than iOS.

What's horse hockey?

"It's not a matter of Nigerians being just as tech savvy as New Yorkers, it's a matter of them learning and adopting necessary technology."

@disqus_sZW8CZQyhE:disqus actually I think that the Sex and the City and Gilmore Girls reference was meant to be positive - establishing her bonafides as someone who is interested in telling stories about female friendships.

Are you actually angry? What about? Everyone seems to be agreeing with you here, so I'm clearly missing something, but it seemed like a reasonable enough thing to point out.

He… uh… likes this movie. With reservations.

Eh, the fornication mini-game would be all right, although it'd probably be just QTE after QTE.