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avclub-5a6268111578c1ff2488b4be0ccdb5d7--disqus

Poor Clovers :(

The Australian version of Review is different, but quite good on its own terms. Myles Barlow is unhinged in a completely different way than Forrest MacNeil.

Thank you for the reviews Emily. You have a real knack for unearthing what makes this show tick and what makes it such compelling television.

My personal favorite was the montage of all the times Review almost killed Forrest.

"Craig sent me."

In addition to being consumed with golf, his lawyer pronounces the "h" in "your honor."

Without directly saying anything about him, AJ eviscerated Forrest in a far more brutal manner than Suzanne did with her words. That first segment was really a thing of beauty.

"I'm at Walter Reed. Gotta run, I have to shake some… god knows what." It took a second for that one to sink in and I couldn't believe it when it clicked.

>But for me one of Fiona's central character traits is not turning out like her parents.

I enjoyed the premiere, though it wasn't without it's rough spots (Will Sasso, most glaringly). Shameless has always been a good show that can't quite escape its weaker instincts.

I’m gonna stomp all over your face, even if my heart won’t snap back into place.

Carmella tells her therapist in Second Opinion that Tony's crimes are "organized" in nature, and immediately breaks down crying. The mafia is the truth that dare not be spoken.

Carmella tells her therapist in Second Opinion that Tony's crimes are "organized" in nature, and immediately breaks down crying. The mafia is the truth that dare not be spoken.

Looking at the image above, I think I might have Groats Disease

It's our new holiday tradition. Christmas with the Niefkos

Best line of the night was Mike staring dumbstruck at a blob of statistics and wondering aloud, "this is the Latino vote right?"

I have to disagree. A couple years ago, I alternated between watching a season of the Wire and a season of the Shield. I started off enjoying them roughly the same.

The Practice, which had become over-the-top melodrama towards the end of its run, rejuvenated its final season by firing much of the cast (including series lead Dylan McDermott) and bringing on James Spader as an extremely unethical attorney.

The primary reason I continue to believe Tony died: there is an painting of the Inn at the Oaks behind him along with a menacing orange tiger. Can anyone explain away this strong symbolism? Those paintings were commissioned specifically for the finale and they add a haunting, almost mystical presence over the final