OH MY GOD, YOU GUYS ARE STILL WATCHING THE KILLING? You poor, poor AV Clubbers.

OH MY GOD, YOU GUYS ARE STILL WATCHING THE KILLING? You poor, poor AV Clubbers.

So that shot in the new office space with Joan in the middle and everyone else radiating out from her - that's Weiner's not so subtle way of firmly establishing her as the center of the Sterling Cooper Draper Price/Campbell dynamic now, right? She's the sun they'll all rotate around more or less.

So that shot in the new office space with Joan in the middle and everyone else radiating out from her - that's Weiner's not so subtle way of firmly establishing her as the center of the Sterling Cooper Draper Price/Campbell dynamic now, right? She's the sun they'll all rotate around more or less.

If they tried harder, they could become the first pre-pre-9/11 series and stop Al-Qeada before they even attacked in the first place. So thanks for nothing, New Girl.

If they tried harder, they could become the first pre-pre-9/11 series and stop Al-Qeada before they even attacked in the first place. So thanks for nothing, New Girl.

Please please please have Franklin the Puppet show up in role of The Falcon.

Please please please have Franklin the Puppet show up in role of The Falcon.

I was going to come here and also lament the lack of Timecop discussion, but McGill has had such a great career it's understandable how it never came up. He's in that club with Brian Cox where he pops up in a film briefly, totally owns it and heads home.

I was going to come here and also lament the lack of Timecop discussion, but McGill has had such a great career it's understandable how it never came up. He's in that club with Brian Cox where he pops up in a film briefly, totally owns it and heads home.

I did the same. The director's cut is a great example of showing by contrast the results of catering to an actor's ego (even though Gibson is an accomplished director himself) and showing how studios apply too many safe formulas when trying to figure what will bring the audience.

I did the same. The director's cut is a great example of showing by contrast the results of catering to an actor's ego (even though Gibson is an accomplished director himself) and showing how studios apply too many safe formulas when trying to figure what will bring the audience.

So that's how things are going to be run in the New Chang Dynasty, huh?

So that's how things are going to be run in the New Chang Dynasty, huh?

I have my Arrested Development and Firefly DVDs ready! Let's do this! I'm excited! WE NEED DECODER RINGS AND SECRET HANDSHAKES!

I have my Arrested Development and Firefly DVDs ready! Let's do this! I'm excited! WE NEED DECODER RINGS AND SECRET HANDSHAKES!

Conrad L Hall was fantastic. and he very well could have done this movie were he still alive. He was Mendes' DoP on America Beauty and Road to Perdition.

Conrad L Hall was fantastic. and he very well could have done this movie were he still alive. He was Mendes' DoP on America Beauty and Road to Perdition.

[Obligatory "They peaked with 'Electric'" comment]

[Obligatory "They peaked with 'Electric'" comment]