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nitro
avclub-5a073c43aefbbfeab6367a08b4fdad70--disqus

I'd watch Maester Aemon's storytime hour every week.

I never understood why anyone would take any satisfaction from these 'sorry because I was caught, not because I did it' grovels. It's incredibly insincere, and that's not a knock on Hill so much there's no way it could ever be truly heartfelt given he was 'caught'.

I haven't rewatched but I'm fairly certain the resistance guy says something to the effect of 'we shoot the men (male collaborators)'.

I fear extensive harping on the lack of women or something - SPOILERS expect many words devoted to the nurse Eugene befriends or the elderly German woman whom Nixon quarters with, perhaps the war widow Tom Hardy bangs (only real ones I can think of)..because it's definitely a theme a war drama should've tackled in

This is a problematic, simplistic revisionist view. It's trendy, almost hip to swing too far over towards Soviet contributions now that the Iron Curtain has come down and we needn't portray Russia as a purely no-good villain. The Russian human cost is undeniable - but a link for further thought:

Always thought an adaptation of Gary Jennings' The Journeyer would make for a great miniseries. It's basically Marco Polo sleeping his way across the greater Asian continent; replete with Eunuchs, elaborate tortures, promiscuous princesses and a magical Jew. It's actually pretty entertaining: http://www.amazon.com/The-