Those were zombies, only they died again from being left in a hot car.  The fact that trapping zombies in hot cars kills them becomes important next season.

All this talk of the old days… they should stop reviewing the new office and go back and review seasons 1-3.

Regarding the standing-there-with-arms-folded, reminds me of the Weezer - Tenacious D tour they ran.

You, Sir or Madam, have a lot to learn about methamphetamine.

Sure you won't.

It drives a wedge between people who want to see humans fight humans and people who want to see mutants fighting mutants.

Risk aversion!  Exotic risks get people's attention, cumulative, 'slippery slope' risks can't keep people's attention.  Responsibility and culpability play a part, much of the damaging emissions over the last hundred years has come from a time or place where you could release whatever you want into the air without…

Wacky Neighbor Boo Radley for sure.

The only funny part?

Ok who's got a hankering for a To Kill a Mockinbird sitcom?

He's just trollin' ya brah.  On a somewhat related note, I couldn't help but think of the mashup as a wasted opportunity.

I like you and the Breaking Wind guy.  And with the new like button, I don't have to choose!

Ex Machina did it!

It's how every time travel story goes.  The "stopping WWII" cliche is probably in bad taste and offensive to survivors, but, game be game.

Armond White is that guy who reads every comment on a page so he can post a comment that everyone disagrees with in one way or another.

Shows his hand there.  Would have been trolling to perfection but that line pushes it into self parody.

They're the finest goddamn corporate shills we have.  All the other corporate shills should be ashamed.

Haha there goes Hippy D again!

And that young boy, from the ghetto?  Now he's the CEO of a major corporation.  And that, my friends - is the rest of the story.

"Ain't no cure for love" is awful but catchy.  "Jazz police" is plenty bad.  But the worst songs are all on the album "Death of a Ladies Man", the one where Phil Spector had Cohen at gunpoint throughout.