Recently rewatched the Guy Pearce/Robert Carlyle cannibal western, "Ravenous," for which Albarn did the score. Eerie, memorable music. Albarn's cross-cultural experimentation has taken him far beyond his plastic beginnings in Britpop.

Yeah, how does it feel being stalked on a comment board, motherfucker? Unpleasant, isn't it?  Just go back to being the font of all knowledge on someone else's posts, or…

UnpossibleManeuver, the gateway to all acceptable knowledge. has spoken. Praise Jesus!

Andre's career has been as dead as Hendrix, so it should work.

Sure, it's called "Fuck  Yourself." Give you a lifetime subscription.

@8-in-1 Super Pan
Is that the one I'll be dangling your ass off, bitch?

Ah, you cowards of the internet. So brave…

@avclub-7e1ce4ce3124fd9ecc13a151afcff11b:disqus 
People aren't just disagreeing with my views, they're making slanderous, wild accusations about my taste, lies about my views, and personally attacking me. I don't know how you deal with such treatment, but I don't take it lying down. A difference between us.

Unpossible approved your thoughts, Phil. Don't you feel special?

@avclub-6796f650a074ef60bd6d33a1b59054a0:disqus 
Wasn't that book one of those consigned to your 'inappropriate thoughts' burning pile?

@Automocar:disqus 
Really? The show is set in the present day?

Or the greatest thing the Who ever did that the Beatles stole the concept from.

For No One is actually quite old-fashioned. As if Cole Porter hadn't been turning out the same kind of material for fifty years…

Uh, no, they're how many of the great screen actors achieved their technique, and something that would have done worlds for January Jones.

He's good Catskills filler for the show's ebbs.

@YO MOMA…cuz im secure like t
Why don't you give me your address and I'll tell you person, sweetness.

They cut the audio when Ginsburg said fuck. Interesting approach for basic cable swearing; maybe a forerunner of things to come.

Paul's opening and closing tracks, Lucy, and Day In The Life are the key songs. The rest feels like some lost Julie Andrews musical.

Too much studio sterility from '66 on, with a generally ivory tower lyrical approach that just doesn't have the same appeal after college, when the up-and-down jobs and relationships pile up. Stones not as versatile but just grittier and more connected to how people really are.

@avclub-6796f650a074ef60bd6d33a1b59054a0:disqus 
Hey, pretentious stalker, get off my ass already…