She was sort of interesting in Black Widow with Debra Winger; think it was the beginning of her 'wandering into bad vehicles' period, which included Whore.

Why all this love for a band in love with emotionally sterile production, castrated boyband harmonies and at their best watered-down Dylan lyricists? Get a mind of your own.

Nothing so dribbling-boring as Strawberry Fields, Blue Jay Way, or cheese-advertesque as Penny Lane (though Pleasant Valley Sunday came close).

Because they weren't shitty boybands.

Like the Beatles, except with more wit and less pretension. RIP Davy.

Alright, another Wolfman/Perez Titans fan! I'm gonna go reread The Judas Contract right now (sniff).

C'mon, AV, "A silent film in the age is NOT generic" isn't even a comprehensible sentence, much less deserving of fourteen likes. Jeesus…

I thought Clooney deserved it the most, certainly more than Jean DeSmirkThroughOneHalfAndFrownTheSecondHalf De Jardin.

The Blind Side was undeserving, and the Artist was undeserving. Clear, or need a coloring book?

Isn't that just January Jones without her makeup?

Man, she was at peak gorgeousness in Tarzan.

Yup, def not MPDG.

Classy, durable actress of the kind Hollywood doesn't have much of anymore.

1968 called - it wants its fashionable guru back.

Caps or no, it really was crap. Completely generic and predictable, a Best Oscar for an actor with two expressions… even the silent films it was paying homage to had more twists and tension.

Nah, Will Ferrell in Melinda and Melinda.

Moneyball was an incredibly boring film kept alive by Brad's rah-rah spirit. Bennet Miller's films just suck the life out of everything; same problem with Capote.

No, it sucked big balls. Even the silent movies it was homaging had less generic plots.

THE ARTIST'S WINS WERE THE BIGGEST HEIST SINCE BULLOCK WON FOR THE BLIND SIDE. WHAT A GENERIC, OVERRATED PIECE OF CRAP!!

The ending of the Howling Man, with the camera slowly zooming into the darkness of the reopened cell, always gave me willies.